John Piper (John Stephen Piper) Quotes
Quotes to Explore
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Work with some men is as besetting a sin as idleness.
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I'd love sloth. I wish sloth would come home and visit me once in a while. I don't consider laziness a sin at all.
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Perhaps there is only one cardinal sin: impatience. Because of impatience we were driven out of Paradise, because of impatience we cannot return.
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Some guy refuses to fight and we call that the sin, but he's standing up for what he believes in and that seems pretty damned American to me.
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To have prevented one single sin is reward enough for the labors and efforts of a whole lifetime.
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The first and most fundamental issue of sin is pride.
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The way a woman carries herself and the way she dresses ought to promote the following types of words: modesty, discretion, wisdom, beauty, elegance and refinement, but not sensuality, luxury, extravagance.
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Natural man’s sin is precisely this: He wants the benefits of God without God Himself.
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Sin is cosmic treason
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I love red and I think it's more than just a color: It evokes an emotion. When you wear red, it makes you feel empowered and sexy. For me, sin is all about temptation and the power of seduction. Red Sin is a combination of those elements to make women feel irresistible.
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I don't know what to say, except it's Christmas and we're all in misery.
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It is perilously easy to have amazing sympathy with God's truth and remain in sin.
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The heaviest burden that one has to bear in this life is the burden of sin.
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My life has run from misery to happiness.
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If I was more complacent and I let things slide, my life would be easier, but you all wouldn't be as entertained. My misery is your pleasure.
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What is it that renders death terrible? Sin. We must therefore fear sin, not death.
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Through our sunless lanes creeps Poverty with her hungry eyes, and Sin with his sodden face follows close behind her. Misery wakes us in the morning and Shame sits with us at night.
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There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstand, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous, and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.
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The SAFE was slain in battle. A great flaming nautical pyre carries it off to VAULTHALLA.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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O, how shall summer's honey breath hold out Against the wreckful siege of battering days, When rocks impregnable are not so stout, Nor gates of steel so strong, but Time decays?
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Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
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Sin carries in it its own misery.
