John Niven Quotes
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My family went to Toronto to visit relatives when I was 13 or 14. It was the first time we had ever been abroad. This was the early Eighties, and I remember the impossible glamour of air travel - my mum spending days trying to decide what she was going to wear on the plane.
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I love England. I live and work here. My children have grown up here. I see no conflict between this and praying that my countrymen in Scotland never have to live another day under Conservative rule from London.
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I go to the Caribbean for a month every January with hand baggage only. All you need is a passport and a credit card.
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If you watch a group of schoolchildren eating lunch together, you cannot help but notice how it is a comically Lilliputian version of the adult thing - the cocked eyebrows of conversation, the reaching for condiments, the shovelling of food into tiny mouths.
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I've forgotten the birthdays of everyone close to me. I have forgotten to pay bills, file tax returns on time, go to meetings, and, every week, I forget to put the bins out. But I have never forgotten I want my lunch.
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You'll never even catch me doing that 'soft atheist' thing of very softly singing along or just mouthing the words, looking down at a hymn sheet every few seconds to check the words. To state the obvious, as an atheist, the hymn sheet is no use to me. So I just stand there, looking straight ahead or up at the ceiling, and do nothing.
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I returned from my last L.A. visit to find myself tipping the scales like Homer Simpson when he tries to gain enough weight to qualify as disabled to be allowed to work from home. All I was missing was his kaftan and Fat Guy Hat. So, I decided it was time to diet.
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As a writer, that moment every few years when I buy a new laptop and find out that all the word processing stuff has slightly changed again (stuff I spend every working day using) is like getting into bed at night and finding some mad robot where you expected your wife to be.
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I love writing Scottish dialogue.
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In the end, being the writer on set is a bit like having organised a big party, but you're not allowed to eat or drink anything. You just have to stand in the corner.
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In your teens and twenties, death doesn't exist. In your thirties, you glance down the road occasionally. But then in your forties, it becomes a full-time job looking the other way.
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I use computers and the Internet every day of my life, and yet I have absolutely no idea how they work. I'm like a labrador watching 'The Matrix.'
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A novel I read when I was about 17 or 18 - 'The World According to Garp,' by John Irving - really made me want to become a writer. The character of Garp is a novelist, and at the time, the whole lifestyle of being a writer was hugely appealing to me.
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The Confederate flag was the flag of the American South during the civil war. It was the flag of people who were fighting against their own government in an attempt to retain slavery. It was the flag of people who thought slavery was no problem, who thought slavery was a good thing.
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Certainly in the case of 'Kill Your Friends,' a book I wrote more than 10 years ago, I routinely meet interviewers who appear to know the book better than I do. But still, you have to talk about it.
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I love Twitter, and my little corner of it is heavily weighted in favour of women, many of them writers: Caitlin Moran, India Knight, Lauren Laverne, Grace Dent, Deborah Orr, Marina Hyde, Suzanne Moore. I look at that list of names and think, 'Here comes the fun - fun that knows its way around a dictionary.'
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We live in a crazily youth-orientated world nowadays. It's a trickle-down thing. We see pictures of lithe, attractive celebrity couples such as Brad and Angelina or the Beckhams cavorting around, covered in tattoos, stomachs as flat as the singing in early 'X Factor' rounds.
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When I went into the computer shop to change my last laptop, the 19-year-old kid behind the counter looked at my six-year-old model and described it as 'vintage.' 'Vintage?' I wanted to scream. 'Son, I've got shirts older than you! I own underpants that have seen more of the world!'
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I once worked at a record label called London Records. The company was owned by Roger Ames, one of the most successful figures in the British music industry. Roger always placed a value on loafing, on holidays, on not being in the office all the time.
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A novel, of course, is a fully self-contained work of art. You pick it up off the shelf, open it, and there it is - a whole universe waiting for you to enter. A screenplay is just a blueprint for making a movie. Until the movie is actually filmed, the script really means nothing.
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The Clash had a unique, special relationship with Scotland. Perhaps it was something to do with the energy, anger and beauty in their music. In Scotland at that time, there was a lot of to be angry about. And a great need of some energy and beauty.
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Among the Internet's many gains for humanity, decreasing paranoia has not been one of them. Anything from that lump under your armpit to what's lurking in the sea - just type it into a search engine and watch your nerves explode.
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It's tough being a dictator, but I've always thought it must be tougher being a hanger-on to a dictator. The late nights spent listening to his crazed ranting, the weary rictus grin from smiling at bad jokes, the draining knowledge that one misjudged comment could land you on the chopping block.
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I quite like the Queen. Now, this must come as a fairly amazing statement for someone who is avowedly left wing, pro-independence and anti-monarchy, but there you go.