Meghan O'Rourke Quotes
Television has never known what to do with grief, which resists narrative: the dramas of grief are largely internal - for the bereaved, it is a chaotic, intense, episodic period, but the chaos is by and large subterranean, and easily appears static to the friendly onlooker who has absorbed the fact of loss and moved on.
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
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The science of life is changing hearts and minds.
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What can I know? What ought I to do? What can I hope?
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A store is just a collection of content. The Steam store is this very safe, boring entertainment experience. Nobody says, 'I'm going to play the Steam store now.'
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I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.
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I'm one of those actresses that really enjoys staying home with my children. To be told you've got to get to work, it is just unbelievable what it does to you.
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It's amazing, it doesn't feel like it has been 10 years since retirement.
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Most people who are looking to get a handgun are going to get a carry permit. But most people don't carry around rifles with them; they keep them at home or at the range.
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People who get trapped in the tunnel vision of making money think that is all there is to life.
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If I leave this sport, I think life will stop.
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We all go to the theater and cinema to be inspired and moved on an emotional level, sometimes to laughter, sometimes to tears. Once I discovered that acting could have such an effect, I was sold. It has been one of the most rewarding discoveries I have ever made.
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I get to meet different directors and different people.
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The New Deal was going to redistribute the national income according to ideals of social and economic justice.
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I think the phrase that resonates from 'Just One Year' is something I sort of live by: 'The truth and its opposite are flip sides of the same coin.'
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That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
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There are many women who came before me who didn't really have the same opportunities that I have had. That's why I always wanted to be a great ambassador - not only today's generation - but for the women who really didn't have a voice, but who paved the way for me.
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I don't think there's a defined contemporary American musical, do you?
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I remember once when I told Lindsay Anderson at a party that acting was just a sophisticated way of playing cowboys and Indians he almost had a fit.
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As to the war, while it is always thought rash to have any strong military convictions, I have always believed that if they would go straight to Sebastopol early in the season they would take it with little difficulty.
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I like to give my inhibitions a bath now and then.
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The stratosphere is my church.
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Marxism teaches that exploitation and degradation somehow produce resistance and revolution. It's been hard to say why. What I've learned from women's experience with sexuality is that exploitation and degradation produce grateful complicity in exchange for survival. They produce self-loathing to the point of extinction of self, and it is respect for self that makes resistance conceivable.
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Television has never known what to do with grief, which resists narrative: the dramas of grief are largely internal - for the bereaved, it is a chaotic, intense, episodic period, but the chaos is by and large subterranean, and easily appears static to the friendly onlooker who has absorbed the fact of loss and moved on.
