Meghan O'Rourke Quotes
Television has never known what to do with grief, which resists narrative: the dramas of grief are largely internal - for the bereaved, it is a chaotic, intense, episodic period, but the chaos is by and large subterranean, and easily appears static to the friendly onlooker who has absorbed the fact of loss and moved on.
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
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The science of life is changing hearts and minds.
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What can I know? What ought I to do? What can I hope?
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A store is just a collection of content. The Steam store is this very safe, boring entertainment experience. Nobody says, 'I'm going to play the Steam store now.'
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I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.
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I'm one of those actresses that really enjoys staying home with my children. To be told you've got to get to work, it is just unbelievable what it does to you.
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It's amazing, it doesn't feel like it has been 10 years since retirement.
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Most people who are looking to get a handgun are going to get a carry permit. But most people don't carry around rifles with them; they keep them at home or at the range.
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People who get trapped in the tunnel vision of making money think that is all there is to life.
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If I leave this sport, I think life will stop.
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We all go to the theater and cinema to be inspired and moved on an emotional level, sometimes to laughter, sometimes to tears. Once I discovered that acting could have such an effect, I was sold. It has been one of the most rewarding discoveries I have ever made.
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I get to meet different directors and different people.
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The New Deal was going to redistribute the national income according to ideals of social and economic justice.
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That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
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I don't think there's a defined contemporary American musical, do you?
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Yes, the marriage proposal was shot. Michael excluded the dialogue from the final edit.
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The long-term value proposition for cellphone companies isn't just voice conversation - it's transfer of data.
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In a heavy oppressive atmosphere, when the spirits sink too low, the best cordial is to read over all the letters of one's friends.
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Men of age object too much, consult too long, adventure too little, repent too soon, and seldom drive business home to the full period, but content themselves with a mediocrity of success.
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You don't tell a player you can't monitor your investments for a month. There's no way you're going to have a billion-dollar investment and never fail to monitor it for a period of time.
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The thing framed says that nothing framed it; the tongue never made itself to speak, and yet talks against him that did; saying that which is made, is, and that which made it, is not. But this folly is infinite as hell, as much without light or bound as the chaos or the primitive nothing.
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It is easy to say something new, if all senses one will eschew. But hardly ever is found, that the new is also sound.
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Television has never known what to do with grief, which resists narrative: the dramas of grief are largely internal - for the bereaved, it is a chaotic, intense, episodic period, but the chaos is by and large subterranean, and easily appears static to the friendly onlooker who has absorbed the fact of loss and moved on.
