Megyn Kelly Quotes
Quotes to Explore
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I've spent so many years talking about poverty and economic justice, I'm strongly tempted to get biblical. Jesus' teachings are so radical; they're just insanely generous and apocalyptic. Christians become more fascinated by the dead Jesus. They don't like the living Jesus.
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Success is not like a cake that needs to be divided. It's more like a heap of stones - a cairn. If someone is successful, they add a stone to the cairn. It gets very high and can be seen from all over the world. That's how I see it.
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I figure this current era of history is the one with the best chance of quality of life for a black, female, disabled, middle-aged, queer person who's most comfortable not fitting in. The odds still aren't great, mind you. But I'll take my chances with the 21st century.
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I don't know how people do it these days - paparazzi and that kind of thing. That's something I can't even imagine.
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I want a gentleman. Someone with manners.
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I believe in the 'Wal-Mart' school of business. The less people pay, the more they enjoy it.
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Every DC or Marvel property is constantly getting reinvented because we love these characters. They're so iconic, and we want to watch them over and over again.
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My characters are not plastic.
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So most astronauts are astronauts for a couple of years before they are assigned to a flight.
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It's true, you never forget your first love, and, for me, that will always be Paris.
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I demand pretty aggressive goal setting and a commitment to measured progress towards those goals because I don't like surprises. I don't even like good surprises.
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I take mentoring very seriously and I am on the board of an organization called Girls Write Now, where we match teen girls and writing mentors because it changes their lives.
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I never have had blonde hair. I have never had straight hair. I never wear pink clothes or spray tan and I never wore heels to school.
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The increasing segregation we have in our country geographically and culturally has led to these pretty monolithic views of different classes of people, and because of that, we've lost a certain amount of cultural cohesion.
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When I decided to work with Krishna Vamsi, people around me were apprehensive about my decision. They warned me that I shouldn't work with an unsuccessful director.
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Generally, if I read something that I think is really good and that I feel a connection with and is right for me, I see and hear who the guy is, as manifested by me.
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All my friends started getting boyfriends, but I didn't want a boyfriend, I wanted a thirteen-colour biro.
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Distances and days existed in themselves then; they all had a story. They were not barriers. If a person wanted to get to the moon, there was a way; it all depended on whether you knew the directions-exactly which way to go and what to do to get there; it depended on whether you knew the story of how others before you had gone.
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I draw to shock myself out of a too-easy rhythm - I may begin with no conception whatever, an image emerges . I rub it out and begin again, searching for its counterpart. When it appears I invariably find that the thing I draw is at my elbow, it is out of the window, or has been standing at my front door for a long time.
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In New York in the Forties or Fifties, everybody's in a suit, an overcoat and a hat.
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I've come to realize that most good ideas are precisely the ones you can't describe.
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Relations of power "are indissociable from a discourse of truth, and they can neither be established nor function unless a true discourse is produced, accumulated, put into circulation, and set to work. Power cannot be exercised unless a certain economy of discourses of truth functions in, on the basis of, and thanks to, that power."
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You can't go by what things look like on paper.
