Fatema Mernissi Quotes
Women are builders of civil society. We are the ones who are going to build it. You know why? We have no choice. Either you shut up, and you are humiliated, or you do what I'm doing. You scream.
Quotes to Explore
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I love to walk into Borders or Barnes & Noble and see my books there. It's fabulous.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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If a man has money, it is usually a sign, too, that he knows how to take care of it; don't imagine his money is easy to get simply because he has plenty of it.
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I need to know the price of a gallon of milk and a dozen eggs. I need to know right now.
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I worry that my daughters are too taken care of.
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A true lover always feels in debt to the one he loves.
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The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
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While teaching, I also worked undercover in the lower courts by saying I was a young law teacher wanting experience in criminal law. The judges were happy to assist me but what I learned was how corrupt the lower courts were. Judges were accepting money right in the courtroom.
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It's not about 'succeeding,' but sometimes on a film, you know you've captured something.
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I hate competition.
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Responsibility is what awaits outside the Eden of Creativity.
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As long as government is allowed to collect all Internet data, the perceived exigency will drive honest civil servants to reach more broadly and deeply into our networked lives.
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My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
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'The Voice' was the first real job I've ever had that wasn't just messing around with music.
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I tried martial arts classes for three weeks, but I quit because you actually get hit. I just want to do the movie kind of martial arts.
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A lot of things come with fame, whether it's losing friends or losing family.
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I'd like to make something about someone who hasn't existed so that I don't have to tread so carefully and can feel a little bit more creative freedom.
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I do want to finish my education. I just don't think that Boston has a big enough market for what I want to do.
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I am a little suspicious of industry paradigms. I feel like so many movies and TV shows feel so familiar because of over-reliance on these paradigms.
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Sometimes when you really try to be earnest, everything disappears. If you really try to make a romantic movie, the first thing that goes out the window is the romance or real passion. It suddenly becomes cute-ville or cozy-ville. It's another world other than life.
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I never look at a note. I just roam the stage. The people do not want to leave.
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Growing up in Mississippi - a state that historically was a place of racial injustice, inequality and oppression - gave me the unique opportunity to experience first-hand the evolution of the civil rights movement through the eyes of my parents, grandparents, and the black elders of our community.
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Bijli fails in the dead of night / Won’t help to call “I need a light” / You’re in Karachi now / Oh, oh you’re in Karachi now. / Night is falling and you just cant see / Is this illusion or KESC / You’re in Karachi now
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Women are builders of civil society. We are the ones who are going to build it. You know why? We have no choice. Either you shut up, and you are humiliated, or you do what I'm doing. You scream.
