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Borrowers are nearly always ill-spenders, and it is with lent money that all evil is mainly done and all unjust war protracted.
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All really great pictures exhibit the general habits of nature, manifested in some peculiar, rare, and beautiful way.
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Architecture is the work of nations.
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When we build, let us think that we build for ever.
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The art of nations is to be accumulative, just as science and history are; the work of living men not superseding, but building itself upon the work of the past.
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Drawing is a means of obtaining and communicating knowledge.
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You may sell your work, but not your soul.
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All violent feelings have the same effect. They produce in us a falseness in all our impressions of external things, which I would generally characterize as the pathetic fallacy.
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Ornamentation is the principal part of architecture, considered as a subject of fine art.
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Commerce is the agency by which the power of choice is obtained.
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The best work never was and never will be done for money.
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To do your own work well, whether it be for life or death.
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It is excellent discipline for an author to feel that he must say all he has to say in the fewest possible words, or his reader is sure to skip them; and in the plainest possible words, or his reader will certainly misunderstand them. Generally, also, a downright fact may be told in a plain way; and we want downright facts at present more than anything else.
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Wherever the human mind is healthy and vigorous in all its proportions, great in imagination and emotion no less than in intellect, and not overborne by an undue or hardened pre-eminence of the mere reasoning faculties, there the grotesque will exist in full energy.
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That man is always happy who is in the presence of something which he cannot know to the full, which he is always going on to know.
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So long as we see the stones and joints, and are not deceived as to the points of support in any piece of architecture, we may rather praise than regret the dexterous artifices which compel us to feel as if there were fibre in its shafts and life in its branches.
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Nobody cares much at heart about Titian, only there is a strange undercurrent of everlasting murmur about his name, which means the deep consent of all great men that he is greater than they.
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To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table.
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Give me some mud off a city crossing, some ochre out of a gravel pit and a little whitening and some coal dust and I will paint you a luminous picture if you give me time to gradate my mud and subdue my dust.
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Society has sacrificed its virtues to the Goddess of Getting Along.
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Remember always, in painting as in eloquence, the greater your strength, the quieter will be your manner, and the fewer your words; and in painting, as in all the arts and acts of life the secret of high success will be found, not in a fretful and various excellence, but in a quiet singleness of justly chosen aim.
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Color is, in brief terms, the type of love. Hence it is especially connected with the blossoming of the earth; and again, with its fruits; also, with the spring and fall of the leaf, and with the morning and evening of the day, in order to show the waiting of love about the birth and death of man.
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God alone can finish.
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We may, without offending any laws of good taste, require of an architect, as we do of a novelist, that he should be not only correct, but entertaining.