John Ruskin Quotes
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The path of a good woman is indeed strewn with flowers; but they rise behind her steps, not before them.
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To be taught to read—what is the use of that, if you know not whether what you read is false or true? To be taught to write or to speak—but what is the use of speaking, if you have nothing to say? To be taught to think—nay, what is the use of being able to think, if you have nothing to think of? But to be taught to see is to gain word and thought at once, and both true.
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I believe that there is no test of greatness in periods, nations or men more sure than the development, among them or in them, of a noble grotesque, and no test of comparative smallness or limitation, of one kind or another, more sure than the absence of grotesque invention, or incapability of understanding it.
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Wherever the human mind is healthy and vigorous in all its proportions, great in imagination and emotion no less than in intellect, and not overborne by an undue or hardened pre-eminence of the mere reasoning faculties, there the grotesque will exist in full energy.
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The relative majesty of buildings depends more on the weight and vigour of their masses than any other tribute of their design.
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To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table.
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We are foolish, and without excuse foolish, in speaking of the superiority of one sex to the other, as if they could be compared in similar things! Each has what the other has not; each completes the other; they are in nothing alike and the happiness and perfection of both depend on each asking and receiving from the other what the other only can give.
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My mother's influence in molding my character was conspicuous. She forced me to learn daily long chapters of the Bible by heart. To that discipline and patient, accurate resolve I owe not only much of my general power of taking pains, but of the best part of my taste for literature.
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The great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages.
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When we build, let us think that we build for ever.
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The greatest efforts of the race have always been traceable to the love of praise, as its greatest catastrophes to the love of pleasure.
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Anything which elevates the mind is sublime. Greatness of matter, space, power, virtue or beauty, are all sublime.
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Come, ye cold winds, at January's call, On whistling wings, and with white flakes bestrew The earth.
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It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear.
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Architecture is the work of nations.
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The infinity of God is not mysterious, it is only unfathomable; not concealed, but incomprehensible; it is a clear infinity, the darkness of the pure unsearchable sea.
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God gives us always strength enough, and sense enough, for what He wants us to do; if we either tire ourselves or puzzle ourselves, it is our own fault.
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Some slaves are scoured to their work by whips, others by their restlessness and ambition.
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When we build, let us think that we build forever. Let it not be for present delight nor for our use alone. Let it be such work as our descendants will look upon with praise and thanksgiving in their hearts.
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And with respect to the mode in which these general principles affect the secure possession of property, so far am I from invalidating such security, that the whole gist of these papers will be found ultimately to aim at an extension in its range; and whereas it has long been known and declared that the poor have no right to the property of the rich, I wish it also to be known and declared that the rich have no right to the property of the poor.
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Mighty of heart, mighty of mind, magnanimous-to be this is indeed to be great in life.
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If it is the love of that which your work represents – if, being a landscape painter, it is love of hills and trees that moves you – if, being a figure painter, it is love of human beauty, and human soul that moves you – if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
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The greatest glory of a building is not in its stones, nor in its gold. Its glory is in its Age, and in that deep sense of voicefulness, of stern watching, of mysterious sympathy... which we feel in walls that have long been washed by the passing waves of humanity.
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Give me some mud off a city crossing, some ochre out of a gravel pit and a little whitening and some coal dust and I will paint you a luminous picture if you give me time to gradate my mud and subdue my dust.