John Ruskin Quotes
Architecture concerns itself only with those characters of an edifice which are above and beyond its common use.
Quotes to Explore
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The general public, formerly profoundly indifferent to everything to do with building, has been shaken out of its torpor; personal interest in architecture as something that concerns every one of us in our daily lives has been very widely aroused; and the broad line of its future development are already clearly discernible.
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I use that as my responsibility on the show, to be the pragmatist.
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The development of the New Architecture encountered serious obstacles at a very early stage of its development. Conflicting theories and the dogmas enunciated in architects' personal manifestos all helped to confuse the main issue.
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I don't use emojis. I go vintage.
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What I see now is the consumerisation of IT. I don't want my company to tell me that I have to use a BlackBerry or I have to use a Windows phone. I just want to use the phone I want and have it all work.
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Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
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I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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Together let us desire, conceive, and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise toward Heaven from the hands of a million workers like the crystal symbol of a new faith.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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The best characters in books are always the difficult ones, and why would you want to fall in love with someone difficult? The ones I'd fall in love with are the ones I'd definitely keep out of a book.
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But I love New York. I used to set my alarm clock when I was there, and get up at 4am and get a coffee, just because I could.
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In northern architecture - the cathedrals of Europe and all the little churches - the details, the carving of stone, become necessary because the light is not there to help you very much. You have to enrich surfaces. The desert reduces form to its simplest nature. There is no need for gargoyles or flying buttresses in the desert.
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I wanted a real profession. And I'd always been interested in architecture and in design and in, really, what makes things work. And understanding what's kind of behind the walls and why things stand up and some things don't.
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'The Oath' seems like the perfect project for me, coming off the back of a big-scale adventure film like 'Everest.' I want to delve into an intimate, dark and psychological world where the characters are claustrophobic.
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I think I can see more clearly now - about how the pattern of past experiences has shaped who I am and the characters I have played - and I'm grateful for that.
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You know, I have some issues. But I just love to play different characters all the time, and I try not to repeat myself too much.
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At the apogee of the state's evolution, architecture was monumental, and the ruling class were exalted as a pseudospecies. The sacred rites of statehood became the central focus of religion.
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You have to learn to ask questions in a way that will elicit more nuanced answers, rather than the answers you would like to get.
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Absolute certainty is a privilege of uneducated minds and fanatics. - It is, for scientific folk, an unattainable ideal.
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When you're born, you have a finger up your nose, the other hand on your dick, and you get taller. And that is really it.
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I think there's inherently an issue that models will literally never be able to handle, which is that when somebody comes along with a new way of doing something that's really excellent, the models will not recognize it. They only know how to recognize excellence when they can measure it somehow.
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All the time I feel I must justify my existence.
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Architecture concerns itself only with those characters of an edifice which are above and beyond its common use.
