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There has to be some kind of order and some moral code. I don't know how people can function without a belief in a deity.
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I could easily not act again. It's not a problem.
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Film is built for kinetic movement and crash and burn. It's a great tool for spectacles. But if it's not rooted to something a little higher, you're just kicking your butt around the corner. You can only take so much of that. You have to have some sort of foundation to explode from.
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I'm always writing. There is always a story brewing in my head.
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It's amazing how powerful a piece of work can be and how it can influence people and change. It's pretty interesting.
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I just don't do anything fun anymore. But, that's dying, isn't it? I mean, you die in stages, right? You let things go in pieces.
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I think the 'Lethal Weapon' movies contain my favorite performances. It sounds really crummy, I know, but although the work doesn't look hard, it's difficult to create 'effortless' on screen.
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Who wants to eat?! Who the fuck wants to eat?! Go have something to eat! Hurrrrraaaaayyyyyy!
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I'm not anti-Semitic. My Gospels are not anti-Semitic. I've shown it to many Jews and they're like, it's not anti-Semitic. It's interesting that the people who say it's anti-Semitic say that before they saw the film, and they said the same thing after they saw the film.
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Above all, film is a business... Independence is a really cool thing as you can be a bit more bold, and take a few more chances with what you do.
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I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.
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Acting is like lying. The art of lying well. I'm paid to tell elaborate lies.
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Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.
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We're all dying. We're all in the process of oxidizing. Everyone of us is in the process of oxidizing, so to sort of interrupt one aspect of that while everything else goes on, it's a freak show.
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My family means more to me than the artificial trappings of my career. If ever I had to choose between my career and my family, the wife and kids would definitely come out on top.
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I'm as vain as the next guy. I have a facade on right now. But you can't see it, because it's reality-based.
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Boot Camp was great and very interesting. You got to use live rounds of ammunition and got to do a lot of crawling around with live rounds flying around you, so you really had to learn to keep your ass down - everything down for that matter.
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I don't think of myself as either American or Australian really, I'm a true hybrid. It's a good thing for me because both of them are really good countries.
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Theatrical is fantastic. I don't think anything will ever replace the big dark room, the screen and the popcorn. You can kind of do it in your home if you have a nice screen, but it's not the same thing.
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Why are they calling her a Nazi? …Because modern secular Judaism wants to blame the holocaust on the Catholic Church. And it's a lie. And it's revisionism. And they've been working on that one for a while.
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Well, I think any time you delve into this sort of religion, politics, as you well know, you're going to, you know, touch a few nerves. I wasn't - now - and this is the honest truth.
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Hey, I'm for love, not war. How about we have a beer?
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When you get to that point where you don't want to live, and you don't want to die, it's a desperate, horrible place to be. And I just hit my knees. And I had to use 'The Passion of the Christ' to heal my wounds.
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I don't make things complicated, that's the way they get all by themselves.