Melanie Fiona Hallim (Melanie Fiona) Quotes
Quotes to Explore
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I've never left them to go do a film. No, we all go together. I could never leave them. My kids are my whole world.
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I didn't make any friends in New York by insisting on moving the league headquarters to Cincinnati. The fact was that my son Bill was in school. His mother had passed away, and I didn't want to take the boy away from his school and to a strange city.
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Hollywood's got its own particular environment.
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Some of the wives didn't keep up with the program. It started breaking apart during the Apollo days.
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Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.
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Whatever it takes to win.
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If Dana White can offer a contract that's not one-sided, and it's not cumbersome to the point where we look at it and realize that we can't fight for him, then we'll fight in the UFC.
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I became a Communist by studying capitalist political economy, and when I had some understanding of that problem, it actually seemed to me so absurd, so irrational, so inhuman, that I simply began to elaborate on my own formulas for production and distribution.
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What was bizarre, when I was younger, I never watched TV. I would rather watch a movie 100 times than to watch a TV show, just to find another nuance. I can't tell you how many times I've watched 'On the Waterfront', just to find a flaw so that I can learn and try to improve my thing.
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It was treacherous. I think someone was injured. But I did love being there, we all did.
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My 'Big Bang Theory' costar Johnny Galecki went off the grid. He bought a huge ranch and goes there every weekend. He keeps telling me to do the same thing, but I don't know if I'm that committed. The Valley is as far off the grid as I'm going to go.
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The idea that I could push the envelope using dedication and research and endless curiosity has propelled me in my life's work.
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I am just an actor, but there are these other people who are really selfless. I come from a long line of nurses in my family, and they really do a thankless job.
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I'm involved in issues, and issues are about grass-roots politics.
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I am grateful that as a reporter and as an anchor, people have allowed me to share their stories.
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'Joy' to me is a reflection of the life experiences that I've had throughout the first record and kind of having some time and a hiatus. It's just like all of those experiences that I had during that period - that growing up period.
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You know what it's like: you don't want to read your old books again. All you can see are the flaws, what you would do differently.
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I imagine there are things I wouldn't do, but I haven't been offered those recently either.
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To me, poetry is spoken - not exclusively, but there's a mix of languages in it. That's what I liked about 'For the Confederate Dead;' it has many different tones to it.
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I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
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You don't want to do something that's all terrifying.
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I never act my characters - I am them.
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I hadn't won in Europe for two years, although I won twice in America last year, but it's great to come back and win. You never want to go a year without a win. It's very special to win and I'm really happy the way I did it.
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It's nice to have some anonymity and still be low key.
