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We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
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Very often, I confess, the teller of dreams bores me. His dream could perhaps interest me if it were frankly worked on. But to hear a glorious tale of his insanity! I have not yet clarified, psychoanalytically, this boredom during the recital of other people's dreams. Perhaps I have retained the stiffness of a rationalist. I do not follow the tale of justified incoherence docilely. I always suspect that part of the stupidities being recounted are invented.
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Man is an imagining being.
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It is quite evident that a barrier must be cleared in order to escape the psychologists and enter into a realm which is not "auto-observant", where we ourselves no longer divide ourselves into observer and observed. Then the dreamer is completely dissolved in his reverie. His reverie is his silent life. It is that silent peace which the poet wants to convey to us.
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Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.
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The human mind has claimed for water one of its highest values-the value of purity.
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Cosmic reveries separate us from project reveries. They situate us in a world and not in a society. The cosmic reverie possesses a sort of stability or tranquility. It helps us escape time. It is a state.
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Air is the very substance of our freedom, the substance of superhuman joy.... aerial joy is freedom.
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This word "description" may be disconcerting when used to refer to what is generally called a translation. But when one wishes to render a verbal creation (as opposed to a didactic statement) from one language to another, he is confronted with two equally unsatisfactory choices. He may, according to his talents, elaborate a similar, but never identical creation, or he may describe that creation as completely as possible in his own language.
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Ideas are invented only as correctives to the past. Through repeated rectification of this kind one may hope to disengage an idea that is valid.
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So, like a forgotten fire, a childhood can always flare up again within us.
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Childhood lasts all through life. It returns to animate broad sections of adult life.... Poets will help us to find this living childhood within us, this permanent, durable immobile world.
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What is the source of our first suffering? It lies in the fact that we hesitated to speak. It was born in the moment when we accumulated silent things within us.
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There are reveries so deep, reveries which help us descend so deeply within ourselves that they rid us of our history. They liberate us from our name. These solitudes of today return us to the original solitudes.
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The repose of sleep refreshes only the body. It rarely sets the soul at rest. The repose of the night does not belong to us. It is not the possession of our being. Sleep opens within us an inn for phantoms. In the morning we must sweep out the shadows.
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He who ceases to learn cannot adequately teach.
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Love is never finished expressing itself, and it expresses itself better the more poetically it is dreamed.
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There are children who will leave a game to go and be bored in a corner of the garret. How often have I wished for the attic of my boredom when the complications of life made me lose the very germ of freedom!
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The reveries of two solitary souls prepare the sweetness of loving.
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The words of the world want to make sentences.
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The great function of poetry is to give back to us the situations of our dreams.
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It is better to live in a state of impermanence than in one of finality.
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The poetic image exists apart from causality.
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The past of the soul is so distant! The soul does not live on the edge of time. It finds its rest in the universe imagined by reverie.