John Tiffany Quotes
Quotes to Explore
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.
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The cool thing is that, unlike film, the theatre roles for women get better and better as you get older.
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I think the paparazzi is a necessary evil... and if ya don't like it, and ya don't want to do this, go to Iowa and do some community theatre. It's all about self-promotion, and it's not always the fun part of it.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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It's always weird when you see a movie, and there's no reason for someone to, like, jump on stage and be a singer, and then they just do that... But if it came organically, I would grab that mike and jump on stage for sure.
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Modern society has evolved to the point where we counter the old-fashioned fatalism surrounding the word 'cancer' by embracing the idea of the Uber-mind - that our will possesses nearly supernatural powers.
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I did theatre all my life and then went into the film world. I then kind of segued into TV land, which is a different experience.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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I want to do theatre and film and direct my own things and develop.
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I'm very driven, and I always have been. So I'd like to release a successful album, continue in musical theatre, and be more involved in business.
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The only theatre I ever saw was Shakespeare.
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Migration - whether emigration or return - at the micro level is an individual choice, and government both at the Centre and the states have role only to facilitate the decision of the individuals.
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We must all learn a good lesson - how to live together.
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To be kind is more important than to be right. Many times, what people need is not a brilliant mind that speaks but a special heart that listens.
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Skyjackers had a pretty abysmal success rate - once you commandeered a plane in American airspace, your odds of a happy ending were slim. After the epidemic ended in 1973, what folks tended to remember most about the skyjackers was their futility.
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Theatre is a playground. It really is, and we should use that playground more.
