George Bernard Shaw Quotes
Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course.
Quotes to Explore
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At some hotels, I feel like I have to be dressed to the nines - perfectly eccentric - to walk out the door.
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My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
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Money is in some respects life's fire: it is a very excellent servant, but a terrible master.
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Twitter, Facebook are so different from where I began. It's like a fire that takes off... I'm reading everybody's Twitter.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.
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It's hard to absorb and to allow all that attention and accolades for 'Rent' because the rest of the country doesn't know who we are. Once I walk out of the door of 'Rent,' and I'm on the subway, it doesn't matter. It's an exaggerated sense of fame.
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I never wanted to be a director. I came into this industry by the little door, so I never learned anything; I never went to school. Actors will tell you I'm very precise. I just have the intuition of doing things.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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Choosing forgiveness opens the door of your heart and makes way for a miracle in your life.
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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I don't think, until you've actually lost somebody you really love, that you can go through that door that allows you to be grown-up.
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My grandmother had this high-tech security system - a rusty nail she used to lock the door.
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When I was a boy, my older brothers listened to Earth, Wind & Fire and Kool and the Gang. When I would try to get into their room, they would close the door and say, 'You can't hear that. It's not for a child!' Now, I can listen to it and enjoy it.
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Hollywood's not knocking on our door. They're banging down the door with a sledgehammer.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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I'm the first Icelandic director who started working on U.S. movies. There are others behind me now, but it's like when Bjork opened the door for Icelandic musicians to work abroad. We're such a closed-off country, but Bjork broke the spell. And I'm glad it was a woman who did it. She showed us we could break this barrier.
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I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
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Children should be like waffles--you should be able to throw the first one away.
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As a kid, I did some running but especially loved biking and swimming. I grew up on Long Island, and our mom took us all the time to the ocean, so I grew up doing open-water swimming in the Atlantic.
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Sanity is permanent, neurosis is temporary.
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Jamie, you know, you could go clear around the world and still come home wondering if the tuna fish sandwiches at Chock Full O'Nuts still cost thirty-five cents.
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Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course.
