George Bernard Shaw Quotes

My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.

Quotes to Explore
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All history is defined by shifting modes of reality and time and how things change. That's what I love about cinema. It changes in the moment.
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The only way I can be there and really get into the character is if I'm her.
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The smarter the journalists are, the better off society is. For to a degree, people read the press to inform themselves - and the better the teacher, the better the student body.
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The security link between us and Europe is very important for European security but also for our security.
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The time is right for electric cars - in fact the time is critical.
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I just always wanted to be left alone to go into a creative space.
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He who awaits much can expect little.
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The surveillance of ordinary people is far greater than I would have imagined and far greater than the American public has been able to debate.
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Ours is one continued struggle against degradation sought to be inflicted upon us by the European, who desire to degrade us to the level of the raw Kaffir, whose occupation is hunting and whose sole ambition is to collect a certain number of cattle to buy a wife with, and then pass his life in indolence and nakedness.
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I'm sick of having red hair, but people seem to like that aesthetic.
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As long I still have a breath left in me I will dedicate myself fully to China's reform.
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Police can only act on intelligence.
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One of the more difficult tasks for me as president was to decide on the issue of confirming capital punishment awarded by courts... to my surprise... almost all cases which were pending had a social and economic bias.
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We're not a fragile people. We're not a frightful people. Our power doesn't come from some self-declared savior promising that he alone can restore order as long as we do things his way. We don't look to be ruled.
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I enjoy stories about thin women - I read them frequently. I enjoy them; I root for those characters, but I always feel like there are enough of them out there and there are enough of them in the spotlight.
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What is American music? The most satisfying answer I've come across is that it was a kind of natural comfort with the vernacular which is diverse and regional; it's not one particular set of sounds.
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It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right.
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Straight up. You can't mess with Jay when it's time to come play.
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The model of getting the consumer to come to you is old, and the new model is how can you get to the consumer on their terms, in ways they want to engage in. How people are choosing to interface with content is very different. You’ve got to marry different platforms.
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What I've always said is that I'm opposed to institutional racism, and I would've, had I've been alive at the time, I think, had the courage to march with Martin Luther King to overturn institutional racism, and I see no place in our society for institutional racism.
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We got them mired into our style of play. They were playing at a level above us and we got them to come down to our level. ... We just couldn't seem to finish it.
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I played for my first church service when I was nine years old. I was sufficiently tall to be able to reach the pedals. The first hymn I played was Bringing in the Sheaves, and to this day I can play it in any key. I graduated to a Hammond organ a few years later when we went to another church, and then in high school came one of the loves of my life, the pipe organ. The sound of the pipe organ still gives me a thrill, whether soft strings or drowning out the orchestra as in Strauss' Also Sprach Zarathustra.
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When you're DJing, there are songs I love to play, but I know people are going to walk off. It doesn't matter what I like. You have to be able to play the popular song and slip in one of yours, in such a way that they don't notice it. You've got them in such a roll that you get them back into what they think they like.
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My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.