George C. Wolfe Quotes
The Public Theater requires one to be very public, and writing requires one to be very private.
Quotes to Explore
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After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
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In 'Clockwork Orange,' you're there with your eyes, watching all those things, your brain goes off, ahh, exposes you to so many things, and at the end of the day, it's just like a roller coaster. Why do you jump in a roller coaster? You want a thrill.
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Is there any more encouraging sign than to see an Indian, who has never been to a university, like our friend Mr. Asutosh Dey here, for example, carrying out original work and finding it recognized by the foremost societies of the world?
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The scene that has raised the most objections in 'The Interview' is at the very end, when Kim's head dissolves into flames. To me, it feels gratuitous.
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At some point, you're going to have to be willing to take a punch for your team. If your employees or your teammates will see that you're willing to do that, they are more likely to be loyal to you, and your team is more likely to function better.
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When we assess the impact of technological changes, we tend to downplay things that happened a while ago.
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Morality is the basis of things and truth is the substance of all morality.
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In the beginning, I found it hard to give my songs away, but now I've realised it's exciting, and it's only making me better.
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I don't like to post fresh standup material, because I want to use it in a special. The stuff I like to post online I like to be off-the-cuff moments.
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Anyone in the comedy world knows that Horatio Sanz and Chris Parnell are two of the funniest guys around.
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I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.
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I think actors have a choice of drawing attention to themselves or living on the outskirts.
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I don't think any actors love taking their clothes off on film, unless you're an exhibitionist, which I'm certainly not.
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There's always room to volunteer. I think that's a huge space to be involved with.
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Once you realize just the sort of glut of books that exists out there, it does become incumbent on you not to add to it unless you have a damn good reason.
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You can almost judge how screwed up somebody is by the kind of toilet paper they use. Go in any rich house and it's some weird coloured embossed stuff.
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I didn't grow up with a mother, so I don't have that resource to rely on and ask a million questions.
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My thinking has always been that the worst problem we have with regard to lack of inclusion is the terribly low labor force participation rates and terribly high unemployment rates of young men, especially young men in ethnic minority groups and, in particular, young black men.
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You can't even imagine the feeling you get when someone tells you that you are about to lose your legs.
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All things are perceived in the light of charity, and hence under the aspect of beauty; for beauty is simply reality seen with the eyes of love.
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Operas elucidate, in a way sometimes absent in other theatrical productions, the very human fact that in every hero, there is a thread of duplicity. In every villain, there is another side to consider: We don't have to like him or her, but we are compelled to think about motivation.
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I always put on M.A.C. Prep and Primer before anything.
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Antonio Damasio is a distinguished neuroscientist with a flair for writing about science and an enthusiasm for philosophizing.
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The Public Theater requires one to be very public, and writing requires one to be very private.
