George Edmund Street Quotes
It is most necessary to avoid rusticity in any way, whether in material, design, or execution.
Quotes to Explore
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Man is a physical and spiritual epitome of the Universe.
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Every child should at least grow up in family rather than without one.
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I sometimes wonder how we're short of cod. There's gonna be a load deep down that are hiding. But it's a good reason to put the price up, and it means a load of people will have haddock. They should tell people they're running out of all sorts. Make 'em panic a bit.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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To play four hands requires two people who have great affinity for each other.
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The striking thing about the Precious Blood is the bond it establishes between love and suffering in our experience, a bond that has become so close that we have come to think of suffering accepted with joy as the most authentic sign of love with any depth at all.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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I considered myself very lucky after 'Baghdad Cafe,' and I have 'The Shield.' In every genre, I've kicked butt at some point. I'm real happy.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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You are not a problem that needs solving.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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I would rather not have contentious interviews. I'd rather do 30 minutes with Charlie Rose, laid back in a La-Z-Boy chair.
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The sum of wisdom is that time is never lost that is devoted to work.
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Besides, I have a sister who's straight. And I want her to know that I love her and support her.
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But whether there's some grand design really matters little to me. My only hope was this: to see what might be, to believe that it should be, and then to do all I could to bring it to pass, whatever the cost.
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I've always made weird sounds with my mouth. I've always been fascinated by the sound design, what you can do with your mouth. I was the kid dancing around in third grade on the basketball court. While everyone would be playing sports, I would be jumping around.
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Every time you get the chance to work with somebody you admire and would like to collaborate with... it feels like the best opportunity that's ever come your way, whether that's in fringe theatre or a really big-budget Hollywood movie.
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There's a lot of neuroscience now raising the question, 'Is all the intelligence in the human body in the brain?', and they're finding out that, no, it's not like that. The body has intelligence itself, and we're much more of an organic creature in that way.
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If you don't own a train company then you go and paint on one instead... it all comes from that thing at school when you had to have name tags in the back of something... that makes it belong to you. You can own half the city by scribbling your name over it.
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It is most necessary to avoid rusticity in any way, whether in material, design, or execution.
