Paul Auster Quotes
I wrote Report from the Interior was that after I finished Winter Journal, I took a pause, and I realized there was more I wanted to say.
Quotes to Explore
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I went through a training camp; I worked extremely hard. I prepared for UFC 200. This was the big one. This one meant everything to me.
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I believe in the old, because it shows us where we come from - where our souls have risen from. And I believe in the new, because it gives us the opportunity to create who we are becoming.
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I longed to be bright and most certainly never was. I was rather hopeless, I suspect.
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One can't live with a child of Holocaust survivors without absorbing some of the same sensibilities that her parents transmitted to her as a young girl. It is an unspoken dread, a sense of fragility, an anxious anticipation of unseen horrors.
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Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
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Even in real life, I'd rather hang out with guys.
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In a novel, it's hard to keep track of everybody.
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I lost two brothers in an airplane crash, both of them leaving a wife and kids. When I get to Heaven, that's probably the first question I'd like to ask: 'Why was it necessary?'
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I always thought the desert was the antithesis of peace - something that attacks you. So you don't go to the desert for peace.
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The only way to get rid of temptation is to yield to it... I can resist everything but temptation.
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Through the 'It's About Ability' campaign and with parents and other members of society, we have created a social family for children with disabilities.
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Choice of attention - to pay attention to this and ignore that - is to the inner life what choice of action is to the outer. In both cases, a man is responsible for his choice and must accept the consequences, whatever they may be.
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Our experiences of the Solstice depends entirely upon where we are when it occurs. Neither Solstice encompasses everyone. Neither can. The Solstices stand forever opposed, literally at the two poles of our Earth and experiences.
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I have worked very hard on being aware of my childhood but moving forward and not letting it bring me down emotionally. That is a hard thing - especially when you have children of your own and you remember what happened to you at that age.
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I wrote a piece for the school literary magazine that now makes me think: 'My God in Heaven, this is just the worst drivel.'
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I'm trusting in the Lord and a good lawyer.
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At the earliest age, when I saw a 'wet paint' sign, I had to touch the paint to see if it was wet. When I get stopped at the stoplight in the middle of the night, and there's just no cars coming, and the light is red, I go. I don't think I'm putting anyone in harm's way, and I'll just take the consequences. Because I'm a Libertarian.
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A good novel should be deeply unsettling - its satisfactions should come from its authenticity and its formal coherence. We must feel something crucial is at stake.
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I didn’t fail ten thousand times. I successfully eliminated, ten thousand times, materials and combinations which wouldn’t work.
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I did some plays in high school which I had a good time doing.
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I had rather be Mercury, the smallest among seven planets, revolving round the sun, than the first among five moons revolving round Saturn.
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Ballet really lends itself to that because there's such a sense of ritual, with wrapping the shoes every day and preparing new shoes for every performance. It's such a process. It's almost religious, in nature.
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I didn't even think about movies where I came from. I wanted to be on the stage.
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I wrote Report from the Interior was that after I finished Winter Journal, I took a pause, and I realized there was more I wanted to say.
