Paul Cezanne Quotes
Quotes to Explore
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Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
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My family moved from California to New Jersey in the beginning of my sophomore year of high school. I will never forget the first day in a new school, walking into the cafeteria during lunch and not knowing a single soul. I didn't feel confident enough to share a seat at just anyone's table.
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Finishing games has been something I'm really proud of, seeing something through to the end.
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As a child in the rural district of Penal I remember sharing meals from the same pot with neighbours of different racial, ethnic, social and economic backgrounds.
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People who matter are most aware that everyone else does too.
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Do not deceive or be faithless even with your enemy.
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When Bob Wilson left the BBC for ITV, I got the 'Football Focus' job, and it went from there. It came completely out of the blue, but the fact I had a high profile certainly helped.
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'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.
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If a man has common sense, he has all the sense there is.
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The importance of satire is bringing more people to the table. There are a lot of average citizens who aren't interested in politics and would be more interested if it's brought to them in a comedic, funny, satirical way.
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I might literally fall over dead if I meet Oprah Winfrey. I'm kind of joking, but I'm not confident that wouldn't happen.
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I did not destroy the 43 volumes of my diary, which report on all these events and the share I had in them; but of my own accord I handed them voluntarily to the officers of the American Army who arrested me.
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I feel like I've been the star of my own show for a while now. I was always putting on shows as a kid, and obviously, my household was really creative.
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The sensory acts are accordingly distinguished by their objects.
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I got nominated for a Tony in my Broadway debut, which was fascinating and thrilling and sort of unbelievable all at the same time.
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I've always wanted to take up work that my heart is convinced about. And I shall continue to do so.
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I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.
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I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
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When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.
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One principle I've been fighting for that doesn't endear me to a lot of people is that black people can be just as complicated and screwed up as white people. Our motives can be just as base and violent. Suffering does not necessarily ennoble you.
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Filmmaking is such a collaborative piece of art that you can't look to one person - you couldn't look to me, you couldn't say, 'Because Vin's in it, it's this or that...' It's really all of us coming together for that period of time to try and make magic.
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I can still enjoy sex at 74 - I live at 75, so it's no distance.
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I do think it's very important, if you're going to spend the rest of your life with somebody, to know that you really like them. Because when the pheromones wear off, which of course they will, you have to have a strong basis.
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If isolation tempers the strong, it is the stumbling-block of the uncertain.
