George Eliot Quotes
I have nothing to tell except travellers' stories, which are always tiresome, like the description of a play which was very exciting to those who saw it.
Quotes to Explore
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I'm not coming back to play.
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I'm an actor; I want to play roles, not a role.
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Study first, play afterwards.
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Anyone can be a father, but it takes someone special to be a dad, and that's why I call you dad, because you are so special to me. You taught me the game and you taught me how to play it right.
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The best players will play. That's the way it will always be.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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The debt we owe to the play of imagination is incalculable.
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Center is a very tough position to play.
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I wrote my first play when I was eight.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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Cricket is not everything, not by any means, but it is a large part of who I am. Therefore, I want to play in all formats of the game and to play as much as possible because, before long, it will be over.
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The important thing is this: to be able, at any moment, to sacrifice what we are for what we could become.
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It's harder to build than destroy. To build is to engage and change. In jazz, we call progressing harmonies changes. Changes are like obstacles on a speed course. They demand your attention and require you to be present. They are coming...they are here..... and then they are gone. It's how life comes. Each moment is a procession from the future into the past and the sweet spot is always the present. Live in that sweet spot. Be present.
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You can expect nothing in being a musician, and you have to be just very thankful every time it goes positively for you.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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God is in the slums, in the cardboard boxes where the poor play house. God is in the silence of a mother who has infected her child with a virus that will end both their lives. God is in the cries heard under the rubble of war. God is in the debris of wasted opportunity and lives, and God is with us if we are with them.
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I have nothing to tell except travellers' stories, which are always tiresome, like the description of a play which was very exciting to those who saw it.
