George Eliot Quotes
Do we not wile away moments of inanity or fatigued waiting by repeating some trivial movement or sound, until the repetition has bred a want, which is incipient habit?
Quotes to Explore
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My first car was an '84 Ford Taurus. It caught on fire from me trying to change the fuel pump, so that wasn't good at all. Dried leaves on the ground while I was trying to change the fuel pump. Don't do that. Do it on concrete.
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I even have a Harmony Rocket and a Stratocaster with a scalloped neck back in Florida.
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For those who love, nothing is too difficult, especially when it is done for the love of our Lord Jesus Christ.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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Now that mobile phones and the internet have altered the epistemic selective landscape in a revolutionary way, every religious organisation must scramble to evolve defences or become extinct.
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A man will turn over half a library to make one book.
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There is no bore like a clever bore.
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You can imagine me as a kid growing up in redneck Texas with ballet shoes, tucking the violin under my arm. I had to fight my way up.
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First, people don't read novels off screens, and they don't have a tendency to shell out real money for books when they don't retain anything physically for their money.
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Every artist says that he/she wants to do something challenging, and I'm not any different. If someone approaches me with a serious role, I'll be more than happy.
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I started to realize I wasn't like every other boy.
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I was at a ballpark as much as I was in school. I was on a basketball court or football field as much as I was in school, so I definitely was receiving mentorship when it came to coaches, my father, my grandfather, and my uncles.
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My great hope would be that Quebec would realize itself fully as a distinct part of Canada, and stay Canadian, bringing to Canada a part of its richness.
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I mean, if a camera's on you all the time, you don't get real moments.
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I was always very independent and looked out for myself. I think that ability really helped me in later years both in sports and in theatre.
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I can make my own decisions, I can do the music I like. If I fail, it's me failing - you know.
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I'm not good at accepting help.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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You do the work and you want people to see it; but, um while I'm doing the work, the result doesn't matter at all to me. Ultimately, I don't, I don't care whether the film is - you know - some big giant box-office bonanza and I don't care if its a complete flop. To me, when a film gets made and it's actually finished it's a success. They're all a success in their own way.
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She had an air of seeming to wait, as if for a man to get through with something more important than herself, a battle or an operation, during which he must not be hurried or interfered with. When the man had finished she would be waiting, without fret or impatience, somewhere on a highstool, turning the pages of a newspaper.
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If I get two lines in the script, I somehow turn it into 20. I've got a bit of a bad habit of doing that, of just embellishing my little moment.
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Do we not wile away moments of inanity or fatigued waiting by repeating some trivial movement or sound, until the repetition has bred a want, which is incipient habit?
