Edgar Wright Quotes
I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
Quotes to Explore
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I spend an extraordinary amount of time in my car, so I can justify the expense. That's the only extravagance in my life - it's my car.
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Each age has deemed the new-born year the fittest time for festal cheer.
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Nothing is absolute in security.
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The director had come to Madrid to court me.
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There were very, very large sums of money that I made when I was very young - 15 million published works and a great many successful movies don't make nothin'.
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I have an emotional attachment with Katihar.
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On the other hand, all kinds of adventurous schemes to add security checkpoints to subway and bus systems have been circulating since the London attacks. This is nonsense. No one can guaranty 100 percent security.
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You can imagine me as a kid growing up in redneck Texas with ballet shoes, tucking the violin under my arm. I had to fight my way up.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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There have been weeks when I've not been hydrating properly or not eating properly or training too hard. When I do that, I don't feel good. It has to be the exact formula.
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I've always written songs the same way. You learn different tricks - you learn craft, you learn structure, all that - as you go.
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I'd open doors for anyone who opens doors for me.
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I'm a professional geologist, an explorationist for oil. That's what I've done in my career, one that's culminated in - at least to this point - playing a part in finding the largest field in the last 40 years anywhere in the world. That's the Bakken field, which I believe will yield 24 billion barrels of oil in the decades to come, maybe more.
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You need to have people within your own party that have the wherewithal to stand up to you.
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Oddly enough, Bruce Lee wrote some great philosophy.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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Often times, we think of girls as soft and vulnerable. And we don't really think of them as possibly being the solutions to some of the world's toughest problems, but they really are.
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I have two sisters, and we are the best of friends.
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People make you feel like a bad guy for asking for seven quid for your album, like you are slapping them in the face, when they'll go and pay two grand for a scarf somebody knitted in a sweat shop and stitched a designer label on.
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I was able to see faith as more than just a comfort to the weary or a hedge against death; rather, it was an active, palpable agent in the world.
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The best world is one in which all countries cooperate with one another to kind of meet each other's needs and be partners in the process.
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A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime.
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The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
