Umberto Eco Quotes
As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
Quotes to Explore
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Apartheid was in South Africa; now it has been transferred to Palestine.
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Africa has no future.
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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Drug manufacturers could afford to sell AIDS drugs in Africa at virtually any discount. The companies said they did not do so because Africa lacked the requisite infrastructure.
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I didn't get at first put into a rehab facility; I got put in a adolescent psychiatric unit for my detox.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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We emigrated to South Africa and later to Canada so I went to school in several places.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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The infrastructure we provide is the same in a remote town in Africa or New York or an archipelago in Sweden: we use the same system, and the chips inside the phone are the same.
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There is still a severe and scary amount of extreme poverty in rural parts of India, Pakistan, Afghanistan, Burma and sub-Saharan Africa.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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With epic fantasy, there is a tendency for it to be quintessentially conservative in that its job is to restore what is perceived to be out of whack.
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The summer I finished my first novel 'Ghana Must Go,' I drove across west Africa: from Accra to Lome to Cotonou to the deliciously named Ouagadougou.
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I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
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I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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I roll with bodyguards when I go back home to South Africa.
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In South Africa, we speak English and sometimes Afrikaans, sometimes Zulu, sometimes Xhosa.
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When George Graham was there they complained, harking back to better days, but I think that's a fantasy.
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I do have fantasies of buying a helicopter and a lot of machine guns, but I don't know if I can do that. I'd like to have a lot of weapons, grenades and things. And I want to have a solar energy machine. And I want to have a sunken garden with a glass roof. I guess that's about it for now. I have a few other wants but I can't remember them.
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To me, the scariest movie ever made to this day is 'The Exorcist.' It still scares the living hell out of me, and it's because of the fantasy element. It's the exorcism. It's the Devil. It's not a guy breaking into your house trying to torture you or cut your whatever off. Those kinds of movies don't do it for me, and I don't call them horror.
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It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.
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What marks a writer is this: until she - or he, of course - writes down whatever happened, turns it into a story, it hasn't really happened, it hasn't shape, form, reality.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
