Umberto Eco Quotes
As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
Quotes to Explore
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Apartheid was in South Africa; now it has been transferred to Palestine.
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Africa has no future.
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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Drug manufacturers could afford to sell AIDS drugs in Africa at virtually any discount. The companies said they did not do so because Africa lacked the requisite infrastructure.
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I didn't get at first put into a rehab facility; I got put in a adolescent psychiatric unit for my detox.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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We emigrated to South Africa and later to Canada so I went to school in several places.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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The infrastructure we provide is the same in a remote town in Africa or New York or an archipelago in Sweden: we use the same system, and the chips inside the phone are the same.
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There is still a severe and scary amount of extreme poverty in rural parts of India, Pakistan, Afghanistan, Burma and sub-Saharan Africa.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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With epic fantasy, there is a tendency for it to be quintessentially conservative in that its job is to restore what is perceived to be out of whack.
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The summer I finished my first novel 'Ghana Must Go,' I drove across west Africa: from Accra to Lome to Cotonou to the deliciously named Ouagadougou.
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I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
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I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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I roll with bodyguards when I go back home to South Africa.
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In South Africa, we speak English and sometimes Afrikaans, sometimes Zulu, sometimes Xhosa.
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Consequences lost all purchase when they became mad. And desperation, when pressed beyond anguish, became narcotic.
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Imagine wasting all that perfectly good anger on paranoid fantasies. Not since Emily Litella got upset about "Soviet jewelry" has there been such a waste of anger. You will notice a certain theme to these Emily Litella Moments. Behind them all is a touching faith that someone, somewhere is actually in charge of what's happening - a proposition I beg leave to doubt.
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Escaping into the fantasy of intellectual investigation or narrative story telling makes me feel hopeful. That too is a fiction, but one that makes me feel good sometimes.
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Well, yeah, I sang to some songs on the radio or in the shower.
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We haven't won any games in the playoffs yet. If we can win, I'll definitely be happy to be compared to them.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
