Umberto Eco Quotes
As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
Quotes to Explore
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Apartheid was in South Africa; now it has been transferred to Palestine.
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Africa has no future.
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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Drug manufacturers could afford to sell AIDS drugs in Africa at virtually any discount. The companies said they did not do so because Africa lacked the requisite infrastructure.
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I didn't get at first put into a rehab facility; I got put in a adolescent psychiatric unit for my detox.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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We emigrated to South Africa and later to Canada so I went to school in several places.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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The infrastructure we provide is the same in a remote town in Africa or New York or an archipelago in Sweden: we use the same system, and the chips inside the phone are the same.
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There is still a severe and scary amount of extreme poverty in rural parts of India, Pakistan, Afghanistan, Burma and sub-Saharan Africa.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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With epic fantasy, there is a tendency for it to be quintessentially conservative in that its job is to restore what is perceived to be out of whack.
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The summer I finished my first novel 'Ghana Must Go,' I drove across west Africa: from Accra to Lome to Cotonou to the deliciously named Ouagadougou.
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I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
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I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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I roll with bodyguards when I go back home to South Africa.
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In South Africa, we speak English and sometimes Afrikaans, sometimes Zulu, sometimes Xhosa.
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Every three years, we have to go to the governments and say, okay, you know you're saving millions of lives and even though your budgets are tight, helping Africa avoid this disaster really is a priority.
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I'm not normally the kind of person who holds on to grudges, I'm really not.
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Comedy is very important. For one thing, it keeps you sane. But it's not really a conversion. I mean, it's marginally a conversion, because if people tune in or go to a nightclub or even watch television, and hear that a lot of other people are laughing at something you thought was not funny, at least it'll force you to reconsider.
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I look at old performance videos now, and it's really funny - I thought I was such a gangster!
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Anywhere we go in the States, people know we're from out of town: like, we stick out like sore thumbs. People are like, 'Freaks! Go cut your hair!' and whatever. It's a little weird.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
