Sally Kirkland Quotes
Quotes to Explore
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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There was a point where I really felt I had 'penniless divorcee lone parent' tattooed on my head.
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I did a lot of little girl groups here and there just to get more comfortable on stage. When you're in girl groups, it's a lot different because if you mess up, there's someone on stage to back you up, and finally I got to a point where I knew I could do it on my own.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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Good argument is intended to persuade another.
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The majority of men meet with failure because of their lack of persistence in creating new plans to take the place of those which fail.
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We're trying to build a platform utilizing the Internet that allows the good American people to speak out about their frustration about the polarized country that we live in politically.
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The only way reliably to gauge the heat of any particular chilli is to cut it in half, so exposing the core and membranes, and to dab the cut surface on your tongue.
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Going to parties usually makes me feel depressed, just because I have such social fear after meeting people.
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I carried through well with my tennis. I got the respect by usage of the tennis racket.
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In a way, Jersey really supports rock, maybe more than New York City and Long Island. I know plenty of bands that tour and do much better at Starland or other clubs in New Jersey than others in the tri-state area.
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I was under the false impression that I could sing in high school, so I did a lot of musical stuff. I can't sing or dance, so that was entertaining for everyone.
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My memory is basically visual: that's what I remember, rooms and landscapes. What I do not remember are what the people in these room were telling me. I never see letters or sentences when I write or read, but only the images they produce.
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I actually started out as a poet in high school. I published in small literary magazines for probably about ten years. I entered the Yale Younger Poet contest every year, until I was too old to be a younger poet, and I never got more than a form rejection letter from them.
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My record speaks for itself.
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When I'm performing, I'm not even thinking about the song. I'm thinking about the audience.
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My brother is really, really slow.
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Money is like manure. You have to spread it around or it smells.
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When I say I don't get involved in politics, I merely mean that I don't talk to reporters about it.
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In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
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I prefer to remake flops. Dirty Rotten Scoundrels was a remake of a flop, and The Quiet American is a remake of a flop.
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In combat sports, personalities are what draw.
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The existential trauma had a physical basis in the first electric extension of our nervous system.
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She was a genius, my mother.
