Johnny Depp Quotes
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Me, I'm dishonest, and you can always trust a dishonest man to be dishonest. Honestly, it's the honest ones you have to watch out for.
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I always had an affinity for lizards. I've always felt somewhat close to them. They're reptiles. I find myself feeling somewhat reptilian at times.
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I always felt that if you're not trying something different each time out of the gate, you're being safe, and you don't ever want to find that place of safety. I like that, each time, before I even go in front of the cameras, the studio's reaction will be fear.
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Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.
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Here I was going to work with Pacino thinking, "I'm not going to get lucky twice. There's no way. This guy is going to hand me my ass." He looks like the kind of guy who's going to hand you your ass. It's Al Pacino.
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My self-image it still isn't that alright. No matter how famous I am, no matter how many people go to see my movies, I still have the idea that I'm that pale no-hoper that I used to be. A pale no-hoper that happens to be a little lucky now. Tomorrow it'll be all over, then I'll have to go back to selling pens again.
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The funny thing is you oddly don't really say goodbye to all the characters you've played. There's like a chest of drawers in your head that you can always access. They're always around. I'm not sure if that's healthy. But they're all there.
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If you fall in love with 2 people at once choose the second one because if you truly loved the first one you never would have fell in love with the second one...
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There's the whole Mad Hatter's dilemma, it was the amount of mercury that they used in the glue to make the hats. Everything was damaging. So, in terms of the Mad Hatter, looking at it from that perspective of this guy who literally is damaged goods, physically damaged, emotionally a little obtuse, and taking that and deciding that he should be - as opposed to just this hyper, nutty guy - he should explore all sides of the personality at an extreme level.
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Puberty was very vague. I literally locked myself in a room and played guitar.
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Thank God I never hooked on anything. I never had a monkey on my back. I just wanted to self-medicate, to numb myself through liquor. It's how I dealt with life, reality, stress, change, sadness, memories. The list goes on. I was really trying to feel nothing.
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I'm a dumb-ass, and I poisoned myself for years. Now I understand things better.
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I don't know if you remember me, but I used to work here in the factory." Were you one of those despicable spies who every day tried to steal my life's work and sell it to those paraseeded cop cat, candy making cads?" No sir!" Then wonderful, welcome back!
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For a long time I tried to manage an honesty and openness about my personal life because I’m human and I’m normal – well, semi-normal.
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I'm not sure I'm adult yet.
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I'd worked with Marlon Brando a couple of times, and he was a practical joker. He was far more interested in getting jokes out than getting the words out. We laughed all the time.
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They say the world used to be bigger. The world's still the same--there's just less in it.
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Growing old is unavoidable, but never growing up is possible. I believe you can retain certain things from your childhood if you protect them - certain traits, certain places where you don’t let the world go.
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I was poisoning myself with alcohol and medicating myself. I was trying to numb things. I was trying not to feel things, and that's ridiculous. It's one of the dumbest things you can do, because all you're doing is postponing the inevitable. Someday you'll have to look all those things in the eye rather than try to numb the pain.
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If there's any message to my work, it is ultimately that it's OK to be different, that it's good to be different, that we should question ourselves before we pass judgment on someone who looks different, behaves different, talks different, is a different color.
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I think when you are young, you are hoping that this person will be the right one. The one you are going to be in love with forever, but sometimes you want that so much, you create something that isn't really there.
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Interestingly enough, for me, a character like Captain Jack, you feel like you could just continue. The possibilities are endless and limitless. There is any possibility of madness and absurdity that could commence, so you feel that, with this character, you're never really done.
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I certainly had this fascination with monsters and vampires as did Tim and whatever this darkness, this mystery, this intrigue. And then, as you get older, you recognize the erotic nature of the vampire and the idea of the undead.
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I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.