Johnny Depp Quotes
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Throughout my lifetime I've left pieces of my heart here and there. And now, there's almost barely enough to stay alive. But I force a smile, knowing that my ambition far exceeded my talent.
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You could make an analogy to a security guard who, three weeks prior, was mowing lawns for a living. The second he puts a uniform on and that badge, he's a man. I imagine the majority of us have felt the wrath of the over-zealous security guard guy. Is there something lying dormant in the man, that's waiting to be pumped up with that kind of power? I don't know. Does it reveal him? I don't know. Does it change him? I don't know.
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Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.
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I love people. And when you love people that much that you're disappointed in them every day, that love can turn to hate in a flash of a second.
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There's the whole Mad Hatter's dilemma, it was the amount of mercury that they used in the glue to make the hats. Everything was damaging. So, in terms of the Mad Hatter, looking at it from that perspective of this guy who literally is damaged goods, physically damaged, emotionally a little obtuse, and taking that and deciding that he should be - as opposed to just this hyper, nutty guy - he should explore all sides of the personality at an extreme level.
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Me, I'm dishonest, and you can always trust a dishonest man to be dishonest. Honestly, it's the honest ones you have to watch out for.
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They say the world used to be bigger. The world's still the same--there's just less in it.
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The funny thing is you oddly don't really say goodbye to all the characters you've played. There's like a chest of drawers in your head that you can always access. They're always around. I'm not sure if that's healthy. But they're all there.
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I always felt that if you're not trying something different each time out of the gate, you're being safe, and you don't ever want to find that place of safety. I like that, each time, before I even go in front of the cameras, the studio's reaction will be fear.
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My self-image it still isn't that alright. No matter how famous I am, no matter how many people go to see my movies, I still have the idea that I'm that pale no-hoper that I used to be. A pale no-hoper that happens to be a little lucky now. Tomorrow it'll be all over, then I'll have to go back to selling pens again.
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Thank God I never hooked on anything. I never had a monkey on my back. I just wanted to self-medicate, to numb myself through liquor. It's how I dealt with life, reality, stress, change, sadness, memories. The list goes on. I was really trying to feel nothing.
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I'm a dumb-ass, and I poisoned myself for years. Now I understand things better.
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I'd worked with Marlon Brando a couple of times, and he was a practical joker. He was far more interested in getting jokes out than getting the words out. We laughed all the time.
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For a long time I tried to manage an honesty and openness about my personal life because I’m human and I’m normal – well, semi-normal.
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Puberty was very vague. I literally locked myself in a room and played guitar.
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I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
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I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.
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If there's any message to my work, it is ultimately that it's OK to be different, that it's good to be different, that we should question ourselves before we pass judgment on someone who looks different, behaves different, talks different, is a different color.
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I never wanted to be the guy people looked at. I felt I could only be myself when I was alone, that I turned into some kind of novelty. The only way I could get through that time was to drink. I poisoned myself with alcohol for years but I've never been into drugs in the way it was sometimes made out.
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I'm not sure I'm adult yet.
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I don't know if you remember me, but I used to work here in the factory." Were you one of those despicable spies who every day tried to steal my life's work and sell it to those paraseeded cop cat, candy making cads?" No sir!" Then wonderful, welcome back!
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The idea of directing a film is a strange one for me. I feel anti-mathematical, in a way, in that sense. I don't like when things make sense. I prefer if they don't.
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I was poisoning myself with alcohol and medicating myself. I was trying to numb things. I was trying not to feel things, and that's ridiculous. It's one of the dumbest things you can do, because all you're doing is postponing the inevitable. Someday you'll have to look all those things in the eye rather than try to numb the pain.
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Interestingly enough, for me, a character like Captain Jack, you feel like you could just continue. The possibilities are endless and limitless. There is any possibility of madness and absurdity that could commence, so you feel that, with this character, you're never really done.