-
Bob Dylan has and Einstein had their own way of perceiving the universe and translating it for us.
Johnny Flynn
-
Weirdly, my dad didn't want me to become an actor, he was always quite resistant to it. He told me as much many times. That just made it more attractive to me.
Johnny Flynn
-
My dad was working class.
Johnny Flynn
-
I definitely asked too many questions of my teachers and was probably a bit facetious at times.
Johnny Flynn
-
It's interesting to marry American musical traditions with the subtlety of English-style storytelling and folk singer-songwriters like Martin Carthy and Bert Jansch - they're two heritages that are distinct but also cross over on so many levels.
Johnny Flynn
-
In my mind, there's usually a fairly definitive kind of narrative when I write. But I don't want to enforce that on other people. I think that's why I like using metaphor so much.
Johnny Flynn
-
It's great being an actor and being part of a play or a film where there's usually quite a big group of people who are collaborating, and your job is really to fit in and share that energy. With music, because I write the songs, it's a broader, more abstract process.
Johnny Flynn
-
We had no money, my dad was out of work a lot, and we never owned a house. It was very hand-to-mouth.
Johnny Flynn
-
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
Johnny Flynn
-
I first came across Langhorne Slim when I saw him play live, and he's an incredibly infectious performer. The way he works the crowd is mind-blowing. You can listen to his music without really listening to his lyrics, but it pays off if you do.
Johnny Flynn
-
I'm married to the girl that I first went out with when I was 16. We were on and off for years; now we're married with a kid, so I don't have that many exes.
Johnny Flynn
-
I guess I started writing poetry and stuff and then decided to set it to music.
Johnny Flynn
-
I like the idea of letting the music do its own work and the stories being more expressionful - if that's a word - in people's imagination. I've just got a thing about people and songs telling you how you should feel.
Johnny Flynn
-
A lot of the work I've done has involved playing quite sympathetic characters.
Johnny Flynn
-
Music always gets bumped until I have some time to get around to it.
Johnny Flynn
-
I'm not that politically educated.
Johnny Flynn
-
All the adults in my family were actors, so there wasn't much else in terms of role models. I fell in love with that world, being backstage at the theatre.
Johnny Flynn
-
It's not in the mainstream media, but across towns, it is amazing how there are small groups of people getting together and forming artistic collectives - they may not be being overtly political, but I'd say by channelling their energy into community projects, that's a valid political statement.
Johnny Flynn
-
Our job as actors is to invent the things that bridge ourselves with the characters, so you have to build something if it's not there - you try and learn what makes people behave in a certain way.
Johnny Flynn
-
I played trumpet for Noah and the Whale a couple of times.
Johnny Flynn
-
I'm a huge David Hockney fan.
Johnny Flynn
-
I'm obsessed with pilgrimages. I love following old routes, imagining the consciousness of those who walked them.
Johnny Flynn
-
I had to learn how to work in a studio at first because it's a totally different creative environment to the 'bedroom recordings' I'd done before, where I could translate my own ideas without having to explain them to anyone.
Johnny Flynn
-
I'm often the one in my gang of friends who's worried about how we're going to get from A to B. I'm the one running around saying, 'Is somebody going to do something about it?' Everyone else is bit more chilled.
Johnny Flynn
