Jon Batiste Quotes
I'm always about trying to fill a need with what I do in my artistry. There is definitely a need in the performing arts world for a movement to come along that seriously connects with a next generation audience while still maintaining the timeless artistic objectives present throughout the history of the American music tradition.
Quotes to Explore
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At one point, I had a story accepted at the 'New Yorker,' which sent off weird bells in people when I told them - 'Oh,' they thought, 'now you are a writer' - where I really had been for the last 30-odd years.
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Basically, when I went to school in Sri Lanka from age five onward, the classes there were sometimes sorted into a hierarchy of your skin tone. So the fairer-skinned kids sat at the front row, and the darker-skinned kids sat at the back by the poor ones who played out in the street all day long.
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Oh, I had, 'No one will ever fancy me!' I had that well into my teens. Even now I do not consider myself to be some kind of great, sexy beauty. I don't mind the way I'm ageing. No reason to panic just yet. I think I look my age, and that's fine.
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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I'm from New York, so I'm not a big driver.
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God made a mistake with me. I'm actually black, trapped in a white body.
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Really, I prefer not to read my early books. Not that I don't like them, but I don't recognize myself anymore, like an old actor watching himself as a young leading man.
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I was real into Devo, Pavement, Captain Beefheart, and the Jon Spencer Blues Explosion.
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When I was 13 or 14, my mother used to gift me books that I was dying to read. Those are my most memorable birthday gifts.
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An influential member of parliament has not only to pay much money to become such, and to give time and labour, he has also to sacrifice his mind too - at least all the characteristics part of it that which is original and most his own.
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People who drive Jeeps are people who like to do outdoor activities.
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This is my trademark: I rip my T-shirt. I'm into the whole showing-a-bit-of-chest-hair thing.
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I played violin and got into that Suzuki program in the second grade.
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In the Senate, you can become one of the nation's leading voices on the issues.
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I was a curious child. I'd debate with anyone who came to the door - people from the Islamic community... Jehovah's Witnesses... anyone.
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You learn from the things that happen in your career. You get up and down. You never give up. All the things that happened in my career, thank God it happened early rather than late in my career.
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When we think about the past, we think, 'It must have been so boring.' It's actually not.
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I have little routines in the theater. Once I've established something, like the order of putting on makeup and a costume, I have to invariably do it in the same order every time, even if I only did it by chance the first time round.
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Change will not come if we wait for some other person or some other time. We are the ones we've been waiting for. We are the change that we seek.
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I was born in Evanston, Illinois. I spent my elementary and part of my junior high school years in a D.C. suburb. And then I spent my high school years in Minnesota. And then I spent my college years in Colorado. And then I spent some time living in China. And then I spent three years in Vermont before moving down to Nashville.
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As far as I'm concerned, there is only one study and that is the way in which things relate to one another.
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I get nervous as hell when it's time for the songs to come out.
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It's from being melancholy and having my human down experiences that I learn, that I overcome, that I transform - and these realizations I put into song. That's what I choose to put in my backpack and carry with me around the world.
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I'm always about trying to fill a need with what I do in my artistry. There is definitely a need in the performing arts world for a movement to come along that seriously connects with a next generation audience while still maintaining the timeless artistic objectives present throughout the history of the American music tradition.
