Jon Favreau Quotes
Unfortunately, we are not painters and authors, where we can do something in isolation. We require a lot of money to create what we create. It's almost like being an architect: You can't be an architect and build whatever buildings you want to.
Quotes to Explore
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When I started out in fashion, everything had to be very structured and tight and controlling, and now I'm getting to a point where I think - I could wear a great big parka, that could be quite fabulous. I haven't always got to show off my size, show off my shape. It's a turning point for me.
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I'm not very good at being domesticated. I've tried. The domestic life I find claustrophobic - the rituals and habits and patterns.
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The beauty of a Moroccan riad is undeniable, but even the most die-hard fan may find herself growing a little weary of what can come to feel like a one-size-fits-all aesthetic: tilework, white Berber rugs, woolen tribal throw pillows in reds and ochers, cut-metal lanterns.
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I don't think I can play Mr. Bachchan.
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I thought, you know the food and the diet thing is one way to start yourself onto a healthy lifestyle, but if you don't move, if you don't start exercising you're gonna deteriorate.
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I don't have a definition for depression. I'm productive, and that's not a sign of depression, right? And I don't have weeks where I don't leave my bed. It seems like depressed people have those.
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Cyndi Lauper is really good at talking to you about normal things. It's strange to be in the presence of a big celebrity like that. You want to make these connections and say things related to being a fan. It's not as interesting for them. She's amazing at making small talk without it seeming small.
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Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
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There are days when I literally have to eat 17 plates of food - it's intense. It's about moderation. You just need a few bites to get the gist of a dish.
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I really didn't intend to be a musician when I left Japan.
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When I went to college, I discovered the Sega console, and 'Sonic the Hedgehog' became very dear to me.
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I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.
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I just want my family to be safe. Because I am sometimes polarizing, I fear for their safety.
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I believe myself to possess a most singular combination of qualities exactly fitted to make me pre-eminently a discoverer of the hidden realities of nature.
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By 1988, I was living in New York myself.
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The only routine with me is no routine at all.
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For me, rockabilly is very, very exciting music. It's electric and kind of wild, you know? It's 'make your hairs stand up on the back of your neck' kind of music.
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Prestige is the shadow of money and power.
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I know I'm only as good as the material I've got to work with. I'm not an alchemist, not when it comes to writing or production.
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I've always wanted to go to Phuket in Thailand.
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What could equal the bliss? / The thrill of the first kiss / It'll blow right to you / It's never as good as the first time.
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The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.
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Basins of attraction, of self organization, show up as well in our complex social environment, in human organizations. Here again, while we cannot predict the result of any given input, we can say that it will likely fall within one of several areas.
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Unfortunately, we are not painters and authors, where we can do something in isolation. We require a lot of money to create what we create. It's almost like being an architect: You can't be an architect and build whatever buildings you want to.
