Melina Matsoukas Quotes
Quotes to Explore
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I've been writing a lot of poetry recently. It helps me think and work things out.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.
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The implication that women work for pin money and can manage on a worse pension, presumably by relying on husbands, riles. But even more galling for women is that few government ministers seem to even appreciate the value of the work they do.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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When in doubt, you bring in relatives. Nepotism is a part of my work.
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I find it's really hard for anybody to meet anyone. I'm not big on dates anyways. I still have to work that out.
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Citizens who live or work near protest sites or marches have every right to be free of violence from protesters, and they should never be subjected to destruction of property.
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I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I'm interested in.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I don't have one role that I want to play. I guess... I want to be a producer. I want to be an activist. I want to be proactive in bringing about work for men, women, boys, girls, everybody who is good at what they do and deserve a shot at it.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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Men we shall have only as we make manhood the object of the work of the schools - intelligence, broad sympathy, knowledge of the world that was and is, and of the relation of men to it - this is the curriculum of that Higher Education which must underlie true life.
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I've been lucky to work with people that I like most of the time. If I don't like them, I'll play head games with them to get their minds spinning.
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The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
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Plots may be simple or complex, but suspense, and climactic progress from one incident to another, are essential. Every incident in a fictional work should have some bearing on the climax or denouement, and any denouement which is not the inevitable result of the preceding incidents is awkward and unliterary.
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I work like a dog, really. I go over scripts like a mad man and just want to make sure I have my house built, so that I can just kind of go nuts inside of it.
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In China, we think that if you want something to happen, you don't talk about it. So I will keep who I want to work with as my secret.
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Every man is rich or poor according to the proportion between his desires and his enjoyments.
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When my dad died, I had to go to therapy.
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It doesn't matter if you're a man or a woman - stay alert and focused on your surroundings. Travel with friends. Know where you are at all times, and never let your guard down.
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I discover vision, not as a 'thinking about seeing,' to use Descartes expression, but as a gaze at grips with a visible world, and that is why for me there can be another's gaze.
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I'm amazed that movies ever get finished at all - much less come out good once in a while. It's an awful lot of work and it can go wrong a thousand different ways.
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I usually hate most of my work: probably at least more than half of it.
