Melina Matsoukas Quotes
Quotes to Explore
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I've been writing a lot of poetry recently. It helps me think and work things out.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.
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The implication that women work for pin money and can manage on a worse pension, presumably by relying on husbands, riles. But even more galling for women is that few government ministers seem to even appreciate the value of the work they do.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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When in doubt, you bring in relatives. Nepotism is a part of my work.
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I find it's really hard for anybody to meet anyone. I'm not big on dates anyways. I still have to work that out.
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Citizens who live or work near protest sites or marches have every right to be free of violence from protesters, and they should never be subjected to destruction of property.
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I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I'm interested in.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I don't have one role that I want to play. I guess... I want to be a producer. I want to be an activist. I want to be proactive in bringing about work for men, women, boys, girls, everybody who is good at what they do and deserve a shot at it.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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Men we shall have only as we make manhood the object of the work of the schools - intelligence, broad sympathy, knowledge of the world that was and is, and of the relation of men to it - this is the curriculum of that Higher Education which must underlie true life.
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I've been lucky to work with people that I like most of the time. If I don't like them, I'll play head games with them to get their minds spinning.
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The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
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Plots may be simple or complex, but suspense, and climactic progress from one incident to another, are essential. Every incident in a fictional work should have some bearing on the climax or denouement, and any denouement which is not the inevitable result of the preceding incidents is awkward and unliterary.
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I work like a dog, really. I go over scripts like a mad man and just want to make sure I have my house built, so that I can just kind of go nuts inside of it.
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In China, we think that if you want something to happen, you don't talk about it. So I will keep who I want to work with as my secret.
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What people don't realize is that the initial sales of an album isn't where the bulk of your returns come from. It happens over time, sitting in the catalog, picking up commercials, getting included on packages here and there - there's years and years of pipeline money that goes on. That's where real money comes from - building that body of work.
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I said three things when I woke up in Walter Reed. 'I love you.' 'Put me to work,' and 'You stink! Go shower!'
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Personally, I was never the cool kid. I was always sort of a bookworm.
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You know, it's about getting out there and having a good time. Not about worrying - all these young books for women are like I'm 29 with a closet full of Prada shoes and I can't get a date. Come on.
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I usually hate most of my work: probably at least more than half of it.
