Jonathan Anderson Quotes
What's so important with fashion imagery and with imagery in general is that it ultimately evokes an emotion.
Quotes to Explore
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Don't go into any store that features shopping bags that can stand on their own accord in the middle of a table. This sort of shopping bag denotes prices that will start chipping into your children's college education fund. Avoid it.
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I loved getting to Chagrin Falls, being by the falls; what a cute place it is.
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Art has nothing to do with politics. It is the freest thing in the world.
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Take the attitude of a student, never be too big to ask questions, never know too much to learn something new.
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They don't have a lot of appointment viewing. What television depends on, one thing 'Larry King Live' was - whether you liked it, didn't like it - it was appointment viewing.
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In my novels, there are twelve ancient 'memory tools,' all now lost. Each of the 'Reincarnationist' books revolves around a different tool.
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I know the cadence of the language and the voice of Atlanta because I've lived here for so long.
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The whole period of the '60s changed a lot of us; there was never a decade like that in American history... to have the decade capture one of the great accomplishments of this century: man landing on the moon.
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The celebration of homeownership seems to be part of a countermovement against popular owning of shares in corporations.
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I thought I'd have a career playing women in the vein of Ruth Gordon, and we've seen that type almost disappear.
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I don't know that I would want to be married again, but I do love companionship.
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I like boxes because of the secrets they hide.
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I don't understand why there aren't more powerful female directors. I don't have the answers, but I hope that things may start to shift and that studios will employ more women to handle strong and interesting material.
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Horrors, I believe, should be original - the use of common myths and legends being a weakening influence.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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I'm a bubbling brew of emotions, but mostly, I'm an optimistic person.
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I will concede to you one thing - 'Hustler' is offensive, even to the point of being iconoclastic. That's our purpose - to be offensive.
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I think I always try to be accommodating and open and available and proving for my director. I love to give as many takes as they want. I love to give them as many choices as they want.
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I don't want a life without my mom in it, but I'm not someone who curls up in the fetal position and says, 'Mommy, take care of me!' I don't like people catering to me. It feels so awkward and uncomfortable.
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You're not going to learn anything if you're not prepared to go flat, so I'm very happy to go flat.
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Many hated 'Selma.' Just because my voice and the voice of the people I come from is antithetical to so much of what Hollywood produces. I don't think what I'm saying is in particular radical or anything; it's just different from what they want to sell.
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Fashion is a weapon that you can use when you need it.
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When the emperor is crowned or the three dukes are appointed, rather than sending a gift of jade carried by four horses, remain still and offer the Way.
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What's so important with fashion imagery and with imagery in general is that it ultimately evokes an emotion.
