Jonathan Demme Quotes
When I saw Justin in 'The Social Network', I became deeply obsessed with the desire to work with him and reached out to Justin. When we met, we talked about a couple of things I was working on that did not come to fruition, but it gave us a meeting.
Quotes to Explore
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There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
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Well, one of my favorite ones to work on - besides just about any scene from 'Deadwood' - was my scene with Brad Pitt in 'Assassination of Jesse James'. That was just a fun day.
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In a democracy, allegations will never improve situations. So, I'm against allegations, but I always welcome criticism.
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My dream role is Jack Johnson, the first black heavyweight champion.
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Unfortunately, America doesn't have a minister of culture, and I don't understand why. It's really bad for young people.
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No good actor ever stops learning. He is constantly evolving.
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I love Brazilians. Brazilians ought to be made compulsory at 15.
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I have this data bank garbage can in the back of my head that is an emotional collection of events that have occurred in my life.
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I don't understand people who dream in black and white. I just don't get it. My dreams have always been vivid color.
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If you want to be happy, make others happy!
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Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
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I had almost three acres of land in Beverly Hills. And I had a big atrium of chickens because I love that feeling of being in the country and living from the soil.
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My first tour I was on the road for 18 months. You're just out there promoting.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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Fools are more to be feared than the wicked.
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We should not pretend to understand the world only by the intellect. The judgement of the intellect is only part of the truth.
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I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
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There is no black-and-white situation. It's all part of life. Highs, lows, middles.
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I'm very used to playing the tomboy or the sarcastic cynic. That's my go-to. Playing the vulnerable of a real girl that's in real womanlike situations, where it's romanticized, I'm a little nervous about it.
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When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
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But, in North Korea, it's just the opposite. There's one story. It's written by the Kim regime. And 23 million people are conscripted to be secondary characters. There, as a youth, your aptitude towards certain jobs is measured, and the rest of your life is dictated, whether you'll be a fisherman or a farmer or an opera singer.
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Cotton was a force of nature. There's a poetry to it, hoeing and growing cotton.
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With English literature, if you do a bit of shonky spelling, no one dies, but if you're half-way through a maths calculation and you stick in an extra zero, everything just crashes into the ravine.
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When I saw Justin in 'The Social Network', I became deeply obsessed with the desire to work with him and reached out to Justin. When we met, we talked about a couple of things I was working on that did not come to fruition, but it gave us a meeting.
