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As a kid, a little kid, I loved going to the movies, and now I love making movies.
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I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately.
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I've always followed my enthusiasm. Whether the pictures have turned out good or not is one thing - but I've always had a lot of enthusiasm for the project at hand.
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I'll tell you - what I can tell you is that I know when I saw 'Zodiac' and then again when I saw 'No Country For Old Men,' there was a moment in each of my viewing experiences where I went, 'Dammit, this is scarier than 'Silence Of The Lambs.''
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Extraordinary people are the Green Berets and the Navy Seals and the Olympic athletes - these are the ones who can face these extraordinary physical challenges and be triumphant.
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'Neil Young Heart of Gold', that was a valentine to Nashville and country music in the Grand Ole Opry tradition and Hank Williams.
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I don't think it's sacrilegious to remake any movie, including a good or even great movie.
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Nothing beats a live performance. Nothing.
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I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.
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I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.
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The whole Orion zeitgeist, of treating filmmakers as partners, to me it's inseparable from the success of 'Silence of the Lambs'.