Jonathan Dimbleby Quotes
My only real claim to fame is that I was southern England show-jumping champion in 1966. The day after my father died, 'Horse & Hound' magazine tipped me as a future Olympic champion, and I took it seriously. You can only really enjoy something if you take it seriously.
Quotes to Explore
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When you encounter difficulties and contradictions, do not try to break them, but bend them with gentleness and time.
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I think being idle is quite hard for me to do.
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I have two older brothers. I am the baby. We're all very, very close. We're great communicators, so we get along really well.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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I believed in myself. I never imagined myself as just an ordinary player.
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I originally envisioned myself doing something with the suffix 'ology' at the end of it, like marine biology or entomology. But after I started to do some acting gigs, I thought it wasn't a bad thing... I said to myself, 'I might as well keep riding this bus until the wheels fall off.'
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There's no handbook for parenting. So you walk a very fine line as a parent because you are civilizing these raw things. They will tip the coffee over and finger-paint on the table. At some point, you have to say, 'We're gonna have to clean that up because you don't paint with coffee on a table.'
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If there is the right opportunity for us to have a big oil play in Congo or somewhere else, we will definitely go for it.
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I'm definitely not a super great guitarist. Ultimately, I just write a lot of love songs.
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One should live between extravagance and meanness. Don't save money by starving your mind. It is false economy never to take a holiday, or never to spend money for an evening's amusement or for a useful book.
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Mum's a worrier, she looked after everybody apart from herself - I think it runs in the family.
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Someone who knew me when I was 14 said I was the oldest 14-year-old on the planet. Now I'm a 14-year-old who is 60.
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I believe that we haven't begun to understand the many forces that bind the physical world, any more than we understand our own minds and what they're capable of.
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There's something about some of my favorite musicals that they put me in a sort of heightened state where I feel like I'm floating out of the theater rather than walking out.
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I like to play a strong woman, but a strong woman can also be very fragile and vulnerable at the same time.
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I remember my dreams when I was a junior soloist. 'Oh, I hope I don't end here,' I thought. 'I want to do the ballerina in 'Scotch Symphony.' I don't want to be the little Scotch girl.' And I actually went beyond my wildest dreams. I worked with Balanchine. I had ballets choreographed for me.
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I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other. And living on the border between Mexico and the U.S. for so many years gave me a lot of insight into that.
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The amount of love I get from India, from Pakistan, from Asia, from Persia, Malaysia - people are just like, 'Brown boy doing it, brown boy doing it!'
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Espionage and counterespionage go together like horse and carriage.
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I like English football, always have. It's just that people go on about the World Cup in 1986 and then I'm seen as the real bad boy.
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Myths are part of our DNA. We're a civilisation with a continuous culture. The effort to modernize it keeps it alive. Readers connect with it.
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I just feel like with independent movies... they're really free to do whatever they want. They're not afraid to make a statement about anything, and there's not a huge studio behind them making sure that everything is wholesome and politically correct and all that.
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I definitely love women. They are more attractive to the naked eye.
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My only real claim to fame is that I was southern England show-jumping champion in 1966. The day after my father died, 'Horse & Hound' magazine tipped me as a future Olympic champion, and I took it seriously. You can only really enjoy something if you take it seriously.
