Jonathan Galassi Quotes
I think that the continuity of what I do as an editor with what I did when I started out 40 years ago is very direct. The delivery system is changing and will continue to, but the actual interaction between publisher and author is exactly the same.
Quotes to Explore
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I wanted to be an author for as long as I can remember.
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I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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When Chipotle asked me to take part in the Cultivating Thought program both as an author and an essay contest judge, I was excited by the idea of sharing my story through this unique channel and helping young, inspiring writers do the same.
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The emotions you see when you watch 'Narcos,' they're pretty much my emotions and the way I would react if I were there. It's not something you create; all of us have everything inside ourselves.
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What I hate in fiction is when the author knows better than the characters what they should do.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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An author ought to write for the youth of his own generation, the critics of the next, and the schoolmaster of ever afterwards.
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Oftentimes when you see adaptations of books you like, you're let down. As an author, you assume that they are going to suck. A little bit of hope is dangerous.
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When you have an author and an auteur, it's a difficult and challenging relationship.
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I am an author, and like many in my profession, I am also a traveling salesman, going all over in an attempt to persuade people to spend twenty-five dollars on a hardcover book by me.
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Buy other authors' books when you go to their events. Even if you aren't going to read it. Even if you are going to give it away. Even if you aren't interested. Not just for the author but for the bookstore. It's karma and just plain good manners.
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Unlike the stereotypical author, I've never had a job as a short-order cook, but I love cooking hot breakfasts for lots of people, juggling the eggs and the bacon and the tomatoes and the fried potatoes and so on.
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A crime is like a crack in reality, and it is the author's role to explore those cracks. As a writer, I like to see how they impinge on people.
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The only living works are those which have drained much of the author's own life into them.
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Musical types tend to combine the burden of the author with the burden of the actor.
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As an author, you're really grateful for the people who are supporting you, but on some other level, that can be a dangerous echo chamber.
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The idea is to become a best-selling author first and then the rest of my books will be slam dunks.
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The 9/11 attack itself played out around the world, with planning meetings in Malaysia, operatives taking flight lessons in the United States, coordination by plot leaders based in Hamburg, and money transfers from Dubai - activities overseen by al-Qaeda's senior command from secure bases in Afghanistan.
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Communists must use the democratic method of persuasion and education when working among the laboring people and must on no account resort to commandism or coercion. The Chinese Communist Party faithfully adheres to this Marxist-Leninist principle.
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When you look good, you feel good. Confidence with what you're wearing is very important. If you feel good, you will always perform your best without worrying about anything.
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Once you have a lot of success, you become a target in many ways.
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I think that the continuity of what I do as an editor with what I did when I started out 40 years ago is very direct. The delivery system is changing and will continue to, but the actual interaction between publisher and author is exactly the same.
