Jonathan Galassi Quotes
The thing that happened with the music business, there are no stores anymore where you can buy music. It's all an online business now, and that's, you know - the bookstore culture is a very vibrant part of the American experience that we're very reluctant to see go away.
Quotes to Explore
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Listen: our culture is saturated with irony whether we know it or not.
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The best restriction I learned was getting into the habit of doing something, even if I didn't feel like it, instead of running away from it. Sometimes good work needs to be earned, and when you can overcome yourself, the muse notices and celebrates.
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The differences between revolution in art and revolution in politics are enormous. Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.
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When I was 5 and playing against 11-year-olds, who were bigger, stronger, faster, I just had to figure out a way to play with them.
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Preachers at black churches are the last people left in the English-speaking world who know the schemes and tropes of classical rhetoric: parallelism, antithesis, epistrophe, synecdoche, metonymy, periphrasis, litotes - the whole bag of tricks.
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I'm mostly drawn to narratives that are difficult for me to visualize.
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My music is best understood by children and animals.
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Give a talk to children and tell them dinosaurs didn't drag their tails, and you get arguments.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.
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When you work as hard as you can and as much as you can to make your first album, and you don't make any money, then you change things.
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I can tell more about my weaknesses than my strengths.
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My dresses are designed to win, so going through it, I think about, what do I want to represent? So, definitely, Vera Wang has been an inspiration for me.
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People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct.
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The presumption of innocence, the benefit of the doubt, walking without worrying - these should not be hallmarks of white privilege. They are human rights - human rights - that should be enjoyed by all.
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I want to work with intelligent people and look for scripts that I think are intelligent and surprising.
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One time, I pranked my sister: I put red solo cups in her room on her floor and filled them with water. Then I put string all over so you couldn't get anywhere.
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I am not trying my best because it is the Olympics. I try my best always.
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I feel as though I've fooled the world into thinking I'm an adult and now they're letting me procreate.
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Back when I was 8 or 9 and wanted to be a nun, I would often stop at church on my way home from school.
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The thing that happened with the music business, there are no stores anymore where you can buy music. It's all an online business now, and that's, you know - the bookstore culture is a very vibrant part of the American experience that we're very reluctant to see go away.
