Jonathan Groff Quotes
In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.
Quotes to Explore
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Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
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I have gotten more flak for being a conservative Republican than I have for being trans.
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The good thing about being an actress is that it's very children-friendly. I can work for three months, and then I can have six months off.
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I still pray a lot. I still believe in God. I just don't believe in any set religion.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I spend time with people who are movers and shakers, and others who are just friends I really care for. Some of them are rich, some of them are poor. I couldn't care less. I'm not a snob.
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I find that people in the food world are amazingly willing to talk about what they are doing, even when those things are quasi-legal or taboo.
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Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
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You never get quite down to the bottom of the barrel, but we are much higher than that at the present time. There is quite a lot left in the barrel that could be explained by them. If they have some weapons, if they have some anthrax, they should deliver that.
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The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
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To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
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Though there is such a rich tradition of culture and arts, I have never been invited to perform at a concert in South India.
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The value of an arts education is widely accepted, especially in California.
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I like working in theatre now and I think that once you've done a certain amount of films most actors love working in the theatre because of the camaraderie.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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When I walk for a designer, I walk the ramp as Vijender Singh, the boxer. I believe that by doing so, boxing will at least, in some way, get promoted in our entertainment industry. Plus, if cricketers can, why can't I?
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I don't do the super-clean-living L.A. thing.
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Hollywood panders to the 18-to-34 crowd. That demographic doesn't care about race and the package it comes in. They care about the hottest chick. They just like hot chicks.
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We just here to do our job.
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Two to three years down the road, other companies not on a model like Dell's will be in trouble.
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I guess I see 'Goo' half as a really New York record because I think there are a lot of really particular New York references on it, but I also see it, for us, as the first of our records that really opened up to the larger world around us.
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Test cricket is a different sort of cricket altogether. Some players who are good for one-day cricket may be a handicap in a Test match.
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When I came out, I found I hadn't been born with the right genes. It's quite brutal. If you're beautiful and you have the right genes, then the gay scene is a place where you can be worshipped. But if you don't, it's a different ball of wax.
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In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.
