Jonathan Ke Quan Quotes
As a kid, I always wanted to be like Spielberg and to make wonderful movies. Even when I was making 'Indiana Jones,' I was looking at how he would come up with these amazing shots and how he would choreograph the blocking and all that.
Quotes to Explore
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I've always been a bit of a poser. I was chucked out of ballet lessons for looking in the mirror.
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I was always told at school that you had to have a back-up plan, but all I ever wanted to do was act. There was no plan B for me.
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I'd like it if people thought I was Jewish looking.
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Our works decay and disappear but God gentlest works stay looking down on the ruins we toil to rear.
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Science fiction is trying to find alternative ways of looking at realities.
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Man is always looking for someone to boast to; woman is always looking for a shoulder to put her head on.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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There's no question that consumers are looking for value today.
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If I have a choice between looking something up and making it up, I'll make it up every time.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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And I used to go the punk clubs such as a gay club in Poland Street that everyone would go to because it was the only place you could go to looking like that without getting beaten senseless.
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Sometimes when you're looking at your own work, you can't really see, and it's only when you step back a little bit later that you think, 'Oh, that's completely in line with everything else I've done.'
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I've never wanted to be the boss.
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I wanted to shred, so I learned classical guitar.
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No, I haven't asked for a guy's number, but I've always wanted to.
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I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
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I've always wanted to act; I just didn't know how to get into it. It kind of just happened. Dance brought me into it.
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
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We are primitive men; we taboo what we desire and need. How did the denying of love come to be associated with the idea of morality.
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As long as it says Metallica on the record it's Metallica.
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It's not like what I do or what I wear is my copyright. What I'm wearing now also is an inspiration. It is how I saw it on the mannequin, and I just wore it, so it's in a way copied. But obviously, I wouldn't want to spend my life thinking about dresses. It is such a waste of life.
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I was told I wasn't black enough for certain jobs because of the way I speak and carry myself and because I was raised in Europe. It's why I left L.A.
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As a kid, I always wanted to be like Spielberg and to make wonderful movies. Even when I was making 'Indiana Jones,' I was looking at how he would come up with these amazing shots and how he would choreograph the blocking and all that.
