Jonathan Kozol Quotes
When I was teaching in the 1960s in Boston, there was a great deal of hope in the air. Martin Luther King Jr. was alive, Malcolm X was alive; great, great leaders were emerging from the southern freedom movement.

Quotes to Explore
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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I think I would encourage leaders to start working with communities in order to inoculate angry, young teenagers.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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If you see a whole thing - it seems that it's always beautiful. Planets, lives... But up close a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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I found out that there was this project called the 'Great Green Wall' where they wanted to plant trees across the Sahara desert, and the idea was born that I wanted to create a support structure for that initiative.
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I find my earliest memories covering the anachronistic features of a previous incarnation. Clear recollections came to me of a distant life, a yogi amidst the Himalayan snows. These glimpses of the past, by some dimensionless link, also afforded me a glimpse of the future.
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I have always found women difficult. I don't really understand them. To begin with, few women tell the truth.
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We are not opposed to public transportation. We are opposed to wasteful boondoggles.
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The thing about the Internet is that you can write something... for a very narrow audience and make a living at it.
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Rioting is a childish way of trying to be a man, but it takes time to rise out of the hell of hatred and frustration and accept that to be a man you don't have to riot.
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I'll sit around and play my guitar; that's how I write tunes.
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I would say Hope Solo is competitive.
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I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.
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Winning and making history is something you can't buy. Me? I'm a guy who loves history. When I'm 60 or 70, I don't want to be remembered for the money I make. I want to be in the history books.
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Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
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I had never been out covering a story, but boy, was that fun.
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Let me tell you, 'The Reader' was not glamorous for me in terms of the body-hair maintenance.
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I love a good comedy, but the slapstick sitcom belly-laugh sort of comedy - the multicam thing - is not really where my interests lie. I'm very interested in single-cam, in intimate portraits. I like it when comedies have a little bit of realism and a little bit of darkness to them. It makes them more palatable and more relatable and grounded.
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The word 'code' turns out to be a really important word for my book, 'The Information.' The genetic code is just one example. We talk now about coders, coding. Computer guys are coders. The stuff they write is code.
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A journalist who doesn't bring a camera is like a warrior who doesn't carry a sword.
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I have a friend who loves housework. Honest, she loves all housework. All day long she moves from one chore to the next, smiling the whole time. I went over there one day and begged her to tell me her secret. It's simple, she said, right after breakfast you light up a joint.
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When I was teaching in the 1960s in Boston, there was a great deal of hope in the air. Martin Luther King Jr. was alive, Malcolm X was alive; great, great leaders were emerging from the southern freedom movement.