Jonathan Kozol Quotes
When I was teaching in the 1960s in Boston, there was a great deal of hope in the air. Martin Luther King Jr. was alive, Malcolm X was alive; great, great leaders were emerging from the southern freedom movement.
Quotes to Explore
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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I think I would encourage leaders to start working with communities in order to inoculate angry, young teenagers.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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If you see a whole thing - it seems that it's always beautiful. Planets, lives... But up close a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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I found out that there was this project called the 'Great Green Wall' where they wanted to plant trees across the Sahara desert, and the idea was born that I wanted to create a support structure for that initiative.
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I find my earliest memories covering the anachronistic features of a previous incarnation. Clear recollections came to me of a distant life, a yogi amidst the Himalayan snows. These glimpses of the past, by some dimensionless link, also afforded me a glimpse of the future.
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I have always found women difficult. I don't really understand them. To begin with, few women tell the truth.
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We are not opposed to public transportation. We are opposed to wasteful boondoggles.
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The thing about the Internet is that you can write something... for a very narrow audience and make a living at it.
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Rioting is a childish way of trying to be a man, but it takes time to rise out of the hell of hatred and frustration and accept that to be a man you don't have to riot.
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I'll sit around and play my guitar; that's how I write tunes.
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I would say Hope Solo is competitive.
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I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.
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Winning and making history is something you can't buy. Me? I'm a guy who loves history. When I'm 60 or 70, I don't want to be remembered for the money I make. I want to be in the history books.
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I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
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Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
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I had never been out covering a story, but boy, was that fun.
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Every role you do is kind of a side of yourself. That's why they give you the part.
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One wonders why there are so many women who follow Robespierre to his home, to the Jacobins, to the Cordeliers and to the Convention. It is because the French Revolution is a religion and Robespierre is one of its sects. He is a priest with his flock... Robespierre preaches, Robespierre censures, he is furious, serious, melancholic and exalted with passion. He thunders against the rich and the great. He lives on little and has no physical needs. He has only one mission: to talk. And he talks all the time.
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Not just as a black woman, but as a woman, since the beginning of time, beauty has been our responsibility.
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It's bad writing, however naturalistic it's written, that's where you have to do your best acting.
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When I was teaching in the 1960s in Boston, there was a great deal of hope in the air. Martin Luther King Jr. was alive, Malcolm X was alive; great, great leaders were emerging from the southern freedom movement.
