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Everything on TV is perfect, and it's so boring.
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Different actors have different rhythms. My goal as a director is to let these guys get their best work out.
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A huge part of making something work is getting along with people you work with. You want them to succeed; you want them to bring their ideas to life as much as possible.
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Comedy is like horror - you have to shock something in the viewer's system to make them feel it.
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If you have, especially with siblings, something like the competition for mom's affection, it just never goes away.
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There's a thing in comedy where you take one step into a bad idea, but if you take 10, then it becomes a good idea again.
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In your twenties, you might want to be radical and change the world, but in your thirties, you might just want to be happy and ground yourself.
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You can tell a lot about a person by what comedians they like.
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Nobody sets out to be evil. They're insecure, and they make bad decisions.
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My brand of comedy is taking a serious approach to silliness. Small moments of modern life and human behavior make me laugh. At least that's where everything starts, and then my other through line would be a dry absurdity that exponentially spirals out of reality.