Owain Yeoman Quotes
The nature of an ensemble means when you're a supporting character and not the lead character, you get little tidbits here and there, but you're usually there to provide bits of comic relief and little bits of action or something.
Quotes to Explore
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I can't help but care about the rights of the people I used to shower with.
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Today, more than ever, citizens demand with good reason that moral and ethical principles be upheld and that exemplariness preside over our public life. And the king, as the head of state, must not only be an example but also a servant to that just and legitimate demand of the citizens.
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You see, I don't draw from life at all, but I do look out of my window a lot.
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I used to do a lot of serious theatre during my school and college days. Comedy was only reserved for youth festival and inter-college competitions. Then once 'The Great Indian Laughter Challenge' was launched, a regional channel in Punjab started a program based on that. I participated in it and emerged as the winner.
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I'm not one to take revenge. If someone does something wrong to me I leave it in the hands of the universe to take care of that person.
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I'm pretty proud of my film music in general.
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The work environment on 'Battlestar Galactica' is unbelievable, and it's something that doesn't come along very often.
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Even before it opened its retail arm, Beigh was renowned among pashmina cognoscenti for the quality and complexity of the work produced in its workshop, a large, airy, sunlit rectangle of a room directly across from its second-floor shop.
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I was inspired to spend an entire year - my 65th year - reading, researching, and meditating on Lao-tzu's messages, practicing them and ultimately writing down these insights as I felt Lao-tzu wanted us to know them.
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I never look at how many songs I have or how many girls are there in a movie. If I like my character, I play it.
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The optimal use of natural resources can be made only if there is a well-thought-out policy framework for their exploitation towards a particular end use.
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I never want to change so much that people can't recognize me.
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Education can counteract the natural tendency to do the wrong thing, but the inexorable succession of generations requires that the basis for this knowledge be constantly refreshed.
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In high school, the fastest I ever ran was like a 4.67; that's pretty fast. But then, I only weighed 168 pounds.
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The bad boy: always more fun.
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I think that being Jewish is in some ways unique because there's this conflation of race, culture and religion.
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I started out as a dancer as a kid; I've been dancing since I was 4. So, performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.
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Quite frankly, I don't miss standing in the box or standing on the field playing.
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I went to Sunday School and liked the stories about Christ and the Christmas star. They were beautiful. They made you warm and happy to think about. But I didn't believe them.
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Wardruna is a combination of old and new. I use historical instruments and new and electronic instruments and tools. I use drones and samples to build these huge sounds. Sometimes just a sound can trigger words or melodies. I don't have a romantic notion about the past; with Wardruna I wanted to create something new using something old.
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A different script calls for different things. It always takes me a long time to get to know the part, and know the logic behind the words. I have to be with the script for quite a long time before things start to fall into place, before they become part of the character.
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Without knowledge action is useless and knowledge without action is futile.
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With 'Dazed and Confused,' I got the high school experience I didn't get to have.
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The nature of an ensemble means when you're a supporting character and not the lead character, you get little tidbits here and there, but you're usually there to provide bits of comic relief and little bits of action or something.
