George Mastras Quotes
The scene is never really about moving the story forward on 'Breaking Bad.' That's the functional veneer of the scene, but it's always about what's going on with the characters.
Quotes to Explore
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It isn't what I do, but how I do it. It isn't what I say, but how I say it, and how I look when I do it and say it.
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I always played to win.
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The most important thing for poets to do is to write as little as possible.
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I was completely surrounded by religion from a young time. I was taught by my father. I engaged in discussions with him and many of these scholars who visited and came around the dining table, the lunch table, and attended many lectures with my dad. And so I learned the apprentice way.
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Of one thing there is no doubt: if Paris makes demands of the heart, then Munich makes demands of the stomach.
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We didn't realize there were that many boy bands until we started touring in Europe. I don't think we were ever affected by it since a lot of the groups in Europe didn't really sing live, but we did and would perform a cappella as well.
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I do not cook.
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I was familiar with 'Addicted' for a long time, even prior to the movie, way before it got the greenlight. And when it finally got the greenlight, I was very happy to be a part of it.
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What the eyes perceive in herbs or stones or trees is not yet a remedy; the eyes see only the dross.
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I'm pretty much a straight guy on 'The Office.' We can't all be crazies. You need some balance.
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A Bond girl must be a strong and independent woman, but at the same time charming and sensual. Those opposite qualities combined together make her interesting. She must be strong but at the same time feminine.
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Sometimes in this game it's as good to be lucky as it is to be good.
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The stage is where I feel most comfortable, and I miss it all the time.
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Muslims are ordinary members of the working public, just like you.
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For me, just being published feels like success.
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Gentlemen, we are going to relentlessly chase perfection, knowing full well we will not catch it, because nothing is perfect. But we are going to relentlessly chase it, because in the process we will catch excellence. I am not remotely interested in just being good.
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Before 'Homeland,' I had £80 in the bank and no idea what I was going to do. I seriously considered giving it all up and getting a job as a lorry driver.
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I remember those days right after I graduated from college. All I had to do was wake up in the morning and think about writing songs. It's not like that anymore, needless to say.
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We don't have a particular plan. We just do what we do. This is the only way we know how to do it. We make the music that moves us. We use it as therapy. The songs are cathartic. They're ways of dealing with life experiences and the world around you. It's meant to be as a release for us as it is for other people.
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It's quite absurd to act against a smoke creature that is not there.
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On 'Supergirl,' there are huge characters with huge mythologies behind them. What's important is that you don't lock yourself into something.
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Technology is the perfect refuge for African capability stifled elsewhere by badly run governments and years of misplaced foreign aid. Ubiquitous connectivity in a world without legacy infrastructure, together with the potential to learn coding or anything else online, has allowed technology entrepreneurship to flourish.
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What don't I want to learn? I have how-to books, history, nature. Ain't nobody here saying, 'You'd better learn this.' But I still think I've got a head on my shoulders, and it pleases me.
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The scene is never really about moving the story forward on 'Breaking Bad.' That's the functional veneer of the scene, but it's always about what's going on with the characters.
