Eric Holder Quotes
It's a sad indication of where Washington has come, where policy differences almost necessarily become questions of integrity. I came to Washington in the late '70s, and people had the ability in the past to have intense policy differences but didn't feel the need to question the other person's character.
Quotes to Explore
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When you choose your friends, don't be short-changed by choosing personality over character.
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I think on a whole host of issues Washington tends to be a lagging indicator on public opinion.
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I will go to my grave being known as Marge Gunderson. It'll be on my gravestone if I have one. I don't mind that, because it was a great character.
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I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
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Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart before the horse.
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Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
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It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
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Carlos was a character, a character fabricated by Ilich Ramirez Sanchez, fabricated by the secret services of the epoch, fabricated by the governments of the epoch, by the radical groups of the epoch, by the communications media.
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Tension is the great integrity.
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In any character I ever play, whether she's good or bad or whatever, my most important thing is heart.
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I start out giving characters archetypes and parameters. Once I know the basics and have a rudimentary model, it's easier to carve unique curves and edges. It's quite easy to guess how a character is going to react if you know their background, and at a certain point, you realize you understand them personally.
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The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief.
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I've never seen any character I've ever played as a bad guy or a good guy.
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'Moonlight' isn't an issue film. It's not about addiction, it's not about sexuality, it's not about identity. It's about all these different layers, because they are all a part of the character.
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I think the least stereotypical gay character on television is probably Matt LeBlanc on 'Episodes.' He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
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For me it's even more interesting, because my character comes out of the shadow. It's a chance to really act emotionally, because the situation is an extreme one.
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When I look at a character, whether he's good or bad, one scene or 10 scenes, I just have to find my way in.
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Nature magically suits the man to his fortunes, by making these the fruit of his character.
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I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
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I feel like everything I ever did in my life led me to the Franklin Mint.
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I love the way people dress at the races. I love people dressed to the nines during the day. That formal kind of daywear doesn't really exist anymore except at the races. Also I love the tuffs and the working classes being so hand in glove and relying on each other to make the thing happen.
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While it is important to win, it’s even more important to remain undefeated no matter what happens.
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It's a sad indication of where Washington has come, where policy differences almost necessarily become questions of integrity. I came to Washington in the late '70s, and people had the ability in the past to have intense policy differences but didn't feel the need to question the other person's character.
