Eric Jerome Dickey Quotes
Quotes to Explore
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You've got to either say you're going to cut taxes and find some spending cuts. I think we ought to reform long-term entitlement spending in the country, but you can't out of one side of your mouth say, 'Yes, we're for tax cuts, we're for spending discipline, and we're for bringing down the debt.'
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As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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Maybe that's what life is... a wink of the eye and winking stars.
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Any time I'm in a moving thing, like an airplane, I'm usually asleep before we even get on our way.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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History must share with reading, writing and arithmetic first rank as the most important subjects in the curriculum. Understanding the issues on which citizens of a republic are expected to vote is impossible without an understanding of the past.
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I felt giving birth was the most creative act of all my creative acts - literally creation!
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I had a wonderful mother who wanted my sister and me to have everything, even though money was a very prominent thing we didn't have. But we had a very happy childhood - pretty much ideal, in fact.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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I don't second-guess our playcalling or wanting to throw it. Honestly, we've got terrific guys. We know how to matchup. We know how to get open. That part of our game is so intact.
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I go home, and I'm a blob. I just lay there and don't do anything - lay by the pool with the other husbands while the wives work. It's fantastic. It's really good. That's kind of our life at home.
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There is a requirement to ensure the withdrawal takes place in a civilized manner. We will be able to show the world we deserve independence and freedom.
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People dream their whole lives of their Oscar speech; I dreamt my whole life of hosting the Oscars.
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When I was in drama school, I really got into a dark place. I went to a therapist - it was really helpful to have that dialogue with someone. So I understand anxiety.
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When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
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I've made a dozen films in the English language. But then, for love, for my family and friends, I returned to Europe... I annoyingly - looking back - turned down films like 007, 'For Your Eyes Only,' written specially for me.
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We took off our clothes, and we were basically in a sphere of love and light and warmth, and the rest of the world disappeared. It was better than I ever could have dreamed, it was that thing I had been looking for, that love mixed with the rapture of sex.
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Every new development, highway, railroad, steamship line, building operation, whether it be a drainage project in old Greece or a new water system in Peru, means an added use of the automobile.
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Safety and love are both illusions!
