Fareed Zakaria Quotes
Quotes to Explore
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
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Would I be happy just practicing law? No. Would I be happy just doing TV and speeches? No. I want to do all of these things and be as active as I can... but my main goal is to have some degree of influence on the public discussion.
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The death of chief justice Rehnquist and the president's nomination of John Roberts raises the stakes for the court and the American people exponentially.
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Power is a tool, influence is a skill; one is a fist, the other a fingertip.
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Gibson has been making the finest electric guitars the world has ever witnessed for over 70 years. They are as American as God, guns and rock and roll.
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I just don't consider myself to be, you know, an American actor. I don't want that life.
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Standing as I do, with my hand upon this staff, and under the folds of the American flag, I ask you to stand by me so long as I stand by it.
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When I read about the way in which library funds are being cut and cut, I can only think that American society has found one more way to destroy itself.
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An Englishman teaching an American about food is like the blind leading the one-eyed.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Managers in all too many American companies do not achieve the desired results because nobody makes them do it.
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It's funny, because I've never thought of myself as a Hispanic actor, like in 'American Gangster,' I'm playing an Italian. I've always been fortunate enough to have been allowed to play all these diverse roles.
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I, talking about my children, of course I wanted them to succeed in life, they have to choose whatever job or occupation that they want, I will not try to influence.
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The faces of most American women over thirty are relief maps of petulant and bewildered unhappiness.
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By the '40s, Sam Goldwyn is a very serious man. By the '50s, he's the dean of American producers. To the end, he was Hollywood's gray eminence.
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I'm old enough to remember when the air over American cities was a lot dirtier than it is now.
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I want to make it to Heaven and be as good an influence on others as I can in that process.
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I feel that The American Dream is this fallacy that you come to the United States and win lotto. That's a disservice to The American Dream because the American Dream is worth striving for. And it's not easy.
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Creative comedy is like growing geraniums in a mine field.
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There are certainly good examples of incredibly brilliant, beautiful music that has been made commercially available and sold everywhere. But I would say that, for the most part, quantity certainly does not speak well for quality.
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There must be some one quality without which a work of art cannot exist; possessing which, in the least degree, no work is altogether worthless.
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You have to write a good score that you feel good about. At least, you're supposed to. But, if the director hates it, it ain't going to be in the movie!
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American influence is not what it used to be.
