Eric Sevareid Quotes
I have never quite grasped the worry about the power of the press. After all, it speaks with a thousand voices, in constant dissonance.
Quotes to Explore
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A book is never a masterpiece: it becomes one. Genius is the talent of a dead man.
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I have to change a lot of things before I become a good marathon runner.
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I don't have Gandalf the White's certainty about everything.
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One of the prices that we pay for integration was the disintegration of the black community.
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I was a little adult for my age as a teenager, and I didn't feel like I socially fit in with my peers.
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Matt Weiner is very perceptive; there's something about the rhythms and the way people speak that is very authentic to the actor. But there are qualities that are dissimilar. The characters on 'Mad Men' are struggling with pretty profound unhappiness, but I can tell you this is a happy bunch.
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Flag desecration is not a constitutional issue for the courts. It is a political one that belongs to the people.
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I'd have loved to have appeared in 'Absolutely Fabulous' - that's one of my favourite shows.
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The real problem is not why some pious, humble, believing people suffer, but why some do not.
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I don't want to become known as just a body.
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Across the Atlantic, in the scattered, far-flung, rural settlements of colonial America, hospitality had become a central concern, and hostesses, like peacocks displaying their iridescent plumage, tried to outdo one another with their creative food displays.
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I haven't sold to the movies. In other words, I haven't gotten any enormous checks yet.
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I am myself of a mixed background.
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Everything that I design I would wear myself.
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I like to do my own make-up.
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Don't be afraid to take time to learn. It's good to work for other people. I worked for others for 20 years. They paid me to learn.
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Sometimes, I sit down to sketch at the unearthly hour of 3 in the morning!
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I was definitely the kid in the back of the class with his head down the whole time not wanting to speak up and say anything.
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Business people have been made into these rock stars because they've made a lot of money.
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Throwing more science at things isn't always the answer.
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I don't have a burning passion to live in America per se but I would certainly like to work there.
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At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
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I have never quite grasped the worry about the power of the press. After all, it speaks with a thousand voices, in constant dissonance.
