Oscar Wilde Quotes

It's not hard to get the ideas when they come. They just come... it's painful waiting for them.

Quotes to Explore
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My first car was an '84 Ford Taurus. It caught on fire from me trying to change the fuel pump, so that wasn't good at all. Dried leaves on the ground while I was trying to change the fuel pump. Don't do that. Do it on concrete.
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This invisibility, however, means that the opportunities for creative research are infinite.
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I have changed so much as an actor over the years.
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'Longmire' is more of a show about the characters, and you couldn't pay a bigger compliment than to want to know more about my character, or the characters on the show.
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No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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I don't drink hot beverages.
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I challenged things that needed to be challenged at Purdue.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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I came back to do a live concert. Nobody had done that before and I know my managers were worried.
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Design can successfully bind the ancient nomadic cultures with today's global marketplace, ensuring the preservation of traditions and knowledge for further generations. This aspect of research is obviously rich in its business potential as well.
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The handwriting on the wall may be a forgery.
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Even before I went to the UN, I often would want to say something in a meeting - only woman at the table - and I'd think, 'OK well, I don't think I'll say that. It may sound stupid.' And then some man says it, and everybody thinks it's completely brilliant, and you are so mad at yourself for not saying something.
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Hippy people had a hopeful idea of what they wanted the world to be like, then most of them changed into corporate Yuppies. But I still have that hippy thing underneath somewhere.
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My dream was always to win in the Olympic Games, but I never set that next goal, and I have realised now I need to set another goal.
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Maybe to become famous is to reassure yourself that whatever you're lacking inside, you've fulfilled that.
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Many of the problems of poverty and need are really problems of physical infrastructure: not enough hospitals, too few schools, insufficient roads, bridges, and a lack of tools. This is what makes traditional philanthropy so daunting. You could build a thousand new hospitals in some parts of the world and barely make a difference.
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I've decided I am going to start loving my backside because I don't know anyone who does that.
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When you write fiction, you can sort of invent more but also pack it with emotions that are very pertinent to you. Whereas with nonfiction, you have to be as factual as possible but also hopefully - also bring... emotional relevance to the piece.
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An 'exchange' would allow everyone to choose their health care insurance from a broad range of options - just like federal employees and Congress do right now - and allow their employer to help pay for it.
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We must be alarmingly enterprising, and we must be startlingly original, and do new and striking things which constitute a revolution.
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My advice to female directors is not to wait until you feel like your ideas have been pre-certified or until you think you've gotten some approval for them. Then it's too late! Follow your gut. That's hard to do, but the only way to be original.
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We have to stop making excuses. One of the things that I'm careful to show is the horrendous effects of institutional and structural racism, but in the end, you can't wait for white man or a Black man to come riding in on a white horse to save you. We have to save ourselves, and that's the lesson of "The African Americans."
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It's not hard to get the ideas when they come. They just come... it's painful waiting for them.