Oscar Wilde Quotes
Quotes to Explore
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A state of shock is what results when a gap opens up between events and our initial ability to explain them. When we find ourselves in that position, without a story, without our moorings, a great many people become vulnerable to authority figures telling us to fear one another and relinquish our rights for the greater good.
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I am healthy and happy.
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I don't have a telephone. If I had a lot of money, I wouldn't have one.
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I am blessed to have worked in big-budget films at an early stage of my career.
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When a writer declares that his first book is his best, that is bad. I progress successively from book to book.
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When you're young and queer and closeted, you can end up in this place where you regard your straight peers as the enemy.
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I find the whole situation of confronting an audience terrifying.
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A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
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I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.
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Every city is always changing, on its own trajectory.
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A child learns to discard his ideals, whereas a grown-up never wears out his short pants.
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I realized that if my thoughts immediately affect my body, I should be careful about what I think. Now if I get angry, I ask myself why I feel that way. If I can find the source of my anger, I can turn that negative energy into something positive.
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Eventually you just have to realize that you're living for an audience of one. I'm not here for anyone else's approval.
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Being a woman in music was fine, but when I wanted to direct, I was poking my head into a man's world.
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I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
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I just try to be myself, whatever that is. I don't think about how I'll be remembered. I just want to be consistent over a long period of time. That's what the great players do.
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When I saw rappers in the '90s cameo in films - all of those '90s rappers - it seemed like whenever you chucked a rapper in a film, they could just act. It seemed like all rappers could act.
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The physical journey in my films is indicative of the internal journey that my characters take.
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On 'Sex and The City', when Carrie talked about money problems, I would always think, 'Sell your shoes!'
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I went to school with Steven Wright, who was the shyest guy I knew, and one day someone suddenly told me that he was in a club doing standup comedy. I went down to his club and he was great. Another friend of mine, who was pretty much a thief by trade, was hosting the show. So I thought, 'If these guys can do it, then so can I.'
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We've grown up on the Beach Boys and the Beatles and Blur and Bowie and the Clash. Also E.L.O. and Hall and Oates. Those are all artists who write songs that are accessible but still left of center. It's intelligent pop. There's still something different and complex about it.
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The key to transforming mental models is to interrupt the automatic responses that are driven by the old model and respond differently based on the new model. Each time you are able to do this, you are actually loosening the old circuit and creating new neural connections in your brain, often referred to as self-directed neuroplasticity.
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I am eternally 12 years old. I don't know if that's good or bad, but I like to have a good time!
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That is the mission of art - to make us pause and look at a thing a second time.
