Oscar Wilde Quotes
Quotes to Explore
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When we were younger, we sang at the dinner table. We started doing two part harmony, then three part, and then we added back up tapes and instruments.
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You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
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With legitimate journalists I've always had a great time - I've never gone out of my way to court the press. That's probably cost me some money, but I've always had the respect of my peers.
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The very first role I ever played was as a 17-year old South African girl who dreamed of being a star and left home to meet her mother in the big city so that she could pursue that dream. I left South Africa and met my mother in Vancouver and not long after that was given the opportunity to perform on the stage and have people chant my name.
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When I was a kid, they used to say, 'Oh man, you don't ever wanna leave New York.' I don't ever want to stay in New York!
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An eating disorder epidemic suggests that love and disgust are being jointly marketed, as it were; that wherever the proposition might first have come from, the unacceptability of the female body has been disseminated culturally.
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I don't keep any copies of my books in the house - they go to my mum's flat. I don't like them around.
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I always do drama. It's just that some people laugh at it and some people cry.
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Success is always temporary. When all is said and one, the only thing you'll have left is your character.
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It seems always to have been difficult to have been a New York Philharmonic conductor because of the nature of New York. We are in direct competition with the great orchestras in the world who come to play in our hall or in Carnegie, and we are constantly compared. I think that 's a good thing.
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I don't like the idea the viewer can kind of sit there and go, 'Make me like this person.' People aren't inherently sympathetic.
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When I found somebody who I fell in love with, it made me feel different than I felt the rest of the day. It was electrifying. That's what inspired the 'Off to the Races' melodies. That's one of the times when you're feeling electrified by someone else and they make you happy to be alive.
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I hadn't worked for a couple of years so I thought it would be nice to earn some money and pay the bills.
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Without a dog, you'd never have anyone demonstrate how important it is to stop every day and smell the roses... and then lift your leg on them.
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The experience of reading a book is always unique. I believe that you render a version of the story, when you read a book, in a way that is unique and special to each person who reads it.
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Take a newspaper account of Waterloo or Trafalgar, with all the small advertisements: it seems much more real than reading about it in a history book.
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My favorite literary heroine is Jo March. It is hard to overstate what she meant to a small, plain girl called Jo, who had a hot temper and a burning ambition to be a writer.
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The International Girl Crew isn't supposed to be super exclusive - that's a really important part of our brand and message. It's not just our crew - it's a lifestyle. It's for everybody to know how empowering it is to be surrounded by friends who motivate and support you and who you feel like you can exchange ideas with and do projects with.
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The concept that I like the most, and the one that I've taken most to heart, is the belief that people can't be united or focused unless they share a common philosophy-a philosophy that gives their effort a greater meaning.
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A writer is an organism that will go on writing even after its heart has been cut out.
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I recently spoke with Barbara Jordan of the U.S. Commission on Immigration Reform, and I increasingly believe we need a system to verify employment eligibility. The Commission's recommendation of a national registry may be the way to go.
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Among the most joyful people I have known have been some who seem to have had no human reason for joy. The sweet fragrance of Christ has shown through their lives.
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Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
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The tragedy of the poor is that they can afford nothing but self denial.
