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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.
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I see myself as an arbiter of taste.
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Fashion to me has become very disposable; I wanted to get back to craft, to clothes that could last.
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Although in skating you compete with other people, anyone who achieves a certain level of success is first and foremost competing against themselves. And for me, the idea that I could always do better, learn more, learn faster, is something that came from skating.
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I like the gritty parts of fashion, the design, the studio, the pictures.
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My bedroom is my sanctuary. It's like a refuge, and it's where I do a fair amount of designing - at least conceptually, if not literally.
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When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.
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It takes tremendous will to compete in any athletic endeavor, so it meant going to bed early and getting my homework done in advance. I had to sacrifice things, like a social life, to be a skater at 15. But I loved skating so much that it was worth everything to me.
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Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one's head as a designer. So my being able to reach the masses was something that meant a great deal to me - especially for women who could never wear Vera Wang.
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I adore the challenge of creating truly modern clothes, where a woman's personality and sense of self are revealed. I want people to see the dress, but focus on the woman.
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My normal routine is pretty much putting out fires all day.
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They never ask the celebrities why they don't wear their own clothes on the red carpet.
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I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
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When I decided to get married at 40, I couldn't find a dress with the modernity or sophistication I wanted. That's when I saw the opportunity for a wedding gown business.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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It's hard to juggle being a businessperson with being a creative person. You have to organize yourself - PR needs me for PR, and the licensing division needs me for licensing, the bridal people need me for bridal.
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I am not the sort of woman who would wear high heels with a bathing suit. Let's get that straight right now.
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I do think I know more about clothes than any 500 designers, because there's nothing like wearing them. You buy them, you study them, and you start to understand how they're crafted.
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Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.
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I don't live through my kids. But I do know what will happen in life, and I just want them well prepared.